News Stories

SENSIO Technologies Acquires Algolith’s Intellectual Property

“Algolith’s noise-reduction and compression artefact reduction algorithms are among the best in the industry,” said Etienne Fortin, Chief Technology Officer at SENSIO. “With the advent of connected TVs, low bitrate, noisy video will be widespread and we foresee a high demand for this capability from our current customers in the consumer electronics market.”

“Combining Algolith’s video format conversion and noise reduction technologies with SENSIO(R) 3D will uniquely position us to service the broadcast market as well,” added Nicholas Routhier, President and CEO. “Other key technologies will come into play further down the line, enhancing our state-of-the-art offering to all markets.”

full story here: http://www.marketwatch.com/story/sensio-technologies-acquires-algoliths-intellectual-property-and-secures-integration-of-key-employees-2010-12-01-931420?reflink=MW_news_stmp

New frame-rate technology boosts 3-D TV display performance

Sunnyvale, CA-based company Zoran has developed a new frame-rate conversion platform that it claims will “noticeably improve” the video quality of both 2-D and 3-D images on a TV display.

Called the SupraFRC 301 frame-rate conversion processor platform, the technology is available only to qualified LCD and DTV manufacturers that want to improve their video display quality, Zoran said.

“Our approach to video processing enables consumers to see noticeably improved image quality on both 2-D and 3-D TVs by eliminating artifacts introduced by current state-of-the-industry motion-compensation technologies,” said Mustafa Ozgen, vice president and general manager of Zoran’s DTV business unit, Home Entertainment.

LCD TVs typically need to operate at screen refresh rates of 100/120Hz or 200/240Hz to avoid the flicker and motion blur caused by the limited persistence and slow response time of the display. Because the source content is generally at 50fps or 60fps for TV broadcasts, or 24 fps for movies, it must be converted to match the display’s screen refresh rate to deliver a good viewing experience.

The traditional frame-rate conversion approach, motion estimation motion compensation (MEMC), is effective for visually simple scenes. However, MEMC has no intrinsic understanding of the structure of the image. Lacking image intelligence, the MEMC approach introduces artifacts for faster and more complex motion.

Zoran said its frame-rate conversion technology resolves these problems by using an object model and assigning interpolated pixels according to the motion of the corresponding object. One difference is because it does not rely on a single motion computation per pixel, its geometric processing more efficiently corrects blurring, halo effects, ghosting and shadowing artifacts.

3-D TV systems also generally require a screen refresh rate of 200/240Hz to avoid cross talk, such as “ghosting,” between the left- and right-eye views. Correct handling of objects in the left- and right-eye interpolated frames is essential, the company said, because any differential spatial errors will result in objects being viewed at an incorrect depth.

The object-model approach of the SupraFRC 301 technology is able to avoid these and other 3-D artifacts. Left- and right-eye object correlation facilitates an enhanced and headache-free viewing experience. The SupraFRC technology supports stereoscopic 3-D using both polarized and active-shutter glasses. A total of 38 different 3-D content formats are supported, including all mandatory HDMI 1.4a 3-D formats.

by Michael Grotticelli November 23rd, 2010

full story here: http://stereoscopynews.com/hotnews/stereoscopic-displays/3d-ready-tv-screens/1078-new-frame-rate-technology-boosts-3d-performance.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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