News Stories

Five of the best animation tools

[Excerpt]

It’s not just word processing and communication that a PC is useful for. You can even express your creative side and use your machine to create animiations. Before you invest in expensive software, check out these free downloads that’ll help you become the next Nick Park.

Blender 2.58 (32-bit)

Blender is a powerful, professional, and free open source 3D graphics tool that can be used to produce everything from single 2D stills, to full 3D movies in broadcast and cinema quality, and even interactive 3D content for stand-alone playback.

See the full story here: http://www.pcadvisor.co.uk/features/software/3290795/five-of-the-best-animation-tools/

“Equaleyes” Will Relieve Your Eye-Strain

 

[by Sierra]

 

SGO has released “Equaleyes”, what will be the industries fastest, most capable and most reliable stereoscopic image matching tool. What it will do is provide automated functions for correcting discrepancies between left and right images, caused by differences in cameras, lenses and stereo rig systems. This means a major relief in eye-strain and bad-3D headaches.

Mismatches between left and right images are a fact of stereoscopic life and are caused by a variety of inherent shooting variables such as mismatched lenses and stereoscopic camera rigs that do not have the two cameras perfectly aligned. These result in a pair of images where one has a size, position or rotational difference with respect to the other. They are known collectively as geometric misalignments and must be removed by perfectly matching the left and right images together. If they are not matched, the audience will experience discomfort while watching misaligned stereo content, which in turn results in viewer fatigue and headaches. Manual alignment of Stereo 3D material is an extremely time-consuming process and can account for a large proportion of a post production budget, if attempted.

Miguel Angel Doncel, CEO of Mistika’s manufacturer SGO, explains further: “Equaleyes is designed to ensure that of a given post production budget or schedule, the smallest amount of time is used up on the technical aspects of alignment, conforming including all the mundane, but necessary processes as well. This allows the majority of the time to be spent creatively – and there are plenty of creative tools in Mistika for that! Our driving force is to simply empower our artists and operators to create the very best content by providing them with the fastest and most flexible tools possible.”

Mistika’s Equaleyes technology builds on Mistika’s already famous ability to rapidly align stereo images, with the results being immediately playable and usable in real time. Equaleyes provides an automatic assessment of the geometric errors between left and right images, using advanced proprietary image recognition technology. This assessment then generates settings to correct not just positional, rotational and scale differences, but also “key-stoning” challenges. The assessment takes barely half a second to compute after which, the corrected shot can be played, or used immediately in real-time, with no further rendering.

In addition, Mistika also features a two-step colour matching algorithm. The first will colour-match the majority of stereo 3D shots by creating an overall colour grade to match one eye to the other (or both to a common point). The second step, where needed, executes a pixel-by-pixel match in order to repair stereo oddities such as polarised light that creates spot-differences in textures between images.

The practical effect of Mistika’s unique Equaleyes technology, coupled with it’s amazing real time processing of the result, has wide-ranging implications to massively improve the efficiency of stereoscopic productions. British Sky Broadcasting (BSkyB) was among the first broadcasters to be able to make use of the new technology in their ground-breaking coverage of The Royal Wedding of the Duke and Duchess of Cambridge recently in Stereo 3D.

Nicholas Recagno, Stereoscopic 3D Mistika Artist who also worked on the Royal Wedding project at BSkyB affirms: “Equaleyes is a massive time saver for Stereo 3D post and ensures that only the best 3D ever leaves a Mistika suite.”

Working to an incredibly tight timetable, as the coverage was broadcast on the Tuesday after the Royal Wedding weekend, meant that correction of stereo material and offline editing had to happen in parallel. The offline editor worked directly from the camera rushes while, at the same time, BSkyB’s Mistika systems corrected many hours of rushes from every camera.

At the completion of the edit session, Mistika created an instantaneous 3D conform from the camera rushes it had loaded, along with the stereo corrections that had been added. BSkyB’s lead stereographer Francisco Ramos said: “It would have been impossible to correct that amount of material in such a short space of time, to Sky’s exacting standards, on any other system. Mistika remains without a doubt, the fastest and most productive finishing and workflow system around.”

Steve Shaw, CEO of Light Illusion and SGO Partner confirmed: “Automated correction of Stereoscopic eye disparities is something of an often quoted function, but very few systems and features deliver on their claims of promises. Mistika’s Equaleyes is the first automated geometry and colour fix solution that actually delivers beyond what it promises – and it works brilliantly too.”

The Equaleyes functionality is immediately available and has been added to Mistika Version 6′s post production and Mistika “Live” versions.

See the original post here: http://3dguy.tv/equaleyes-will-relieve-your-eye-strain/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+3dguy+%283Dguy%29

(Thanks to Stereoscopy News for the referral)

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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