News Stories

Video: This 3D Display Uses Multiple Lenses To Boost Sense Of Depth Perception

 

[DigInfo and TechCrunch]

It forms images of objects at the front toward the front, and objects at the back toward the back. When objects at the front are in focus, those at the back are blurred, and when you’re looking at objects at the back, those in front are blurred. So a feature of this display is that it reproduces focal depth.

The resolution in the current prototype stands at just 200×200, but another cool feature is that it allows you to view pictures in 3D not only when you move your head horizontally, but also when you move it vertically. …

 

See the full story and watch the video here: http://techcrunch.com/2011/11/04/video-this-3d-display-uses-multiple-lenses-to-boost-sense-of-depth-perception/

and here: http://www.diginfo.tv/2011/11/04/11-0207-r-en.php

Panasonic unveils new reference series BT300 2D and 3D screens

[SlashGear]

Panasonic has unveiled a new line of professional series reference monitors that come in two sizes and support both 3D and 2D content. Both of the screens are large and use plasma technology. TH-42BT300U and TH-50BT300U are 42-inches and 50-inches respectively and are aimed at use in post-production environments. They are made to have high color accuracy and 3D rendering capability.

These screens can be used for all sorts of things from checking into signals in pre-production toperforming precision color correction. The screens are large enough to get two images for display at one time allowing for simultaneous color correction of left and right 3D images.

Anytime you see reference and professional in one sentence things are going to be expensive. The 42-inch plasma screen is $3,720 and the 50-inch version is $5,215. The screens are full HD 3D ready and have slot card inputs for left and right 3D images. They have overscanning and underscanning modes and a lot more.

Read the original post here: http://www.slashgear.com/panasonic-unveils-new-reference-series-bt300-2d-and-3d-screens-04193030/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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