News Stories

3D Seminar series at InfoComm, Orlando, FL, June 15-17

[InsightMedia email]

3D Comm Seminars at InfoComm

REGISTER NOW!

June 15-17, 2011 ~ Orlando, FL, USA

 

Insight Media and InfoComm International are again teaming up to produce 3D Comm.3D Comm will be held during the regular exhibition hours at the world’s largest professional AV trade show, InfoComm 2011, running from June 15-17, 2011 in Orlando, Florida.

3D Comm will consist of three elements:

  • 3D Seminars-Twenty-four 90-minute seminars (see below)
  • 3D Zone providing turnkey exhibition space
  • 3D Theater area offering larger exhibition space in a theater-like setting. Both the 3D Zone and 3D Theater space will be housed in the InfoComm 3D Pavilion.

 

Time

Seminar Title

Presenter

Wednesday, June 15
8:00 AM Introduction to Stereovision and 3D Human Factors Chris Chinnock, Insight Media
8:00 AM System Integration for Autostereoscopic Display Solutions Norbert Hildebrand, Insight Media
10:30 AM Passive Glasses 3D Display Solutions Chris Chinnock, Insight Media
10:30 AM Advanced Auto-viewable (glasses-free) Three-dimensional Displays Mark Lucente, Zebra Imaging
12:30 PM System Integration for Stereoscopic Solutions Norbert Hildebrand, Insight Media
12:30 PM Zone-based Autostereoscopic 3D Displays Matthew Brennesholtz, Insight Media
2:30 PM Introduction to 3D Displays Chris Chinnock, Insight Media
2:30 PM Understanding Autostereoscopic Content Sourcing and Creation Norbert Hildebrand, Insight Media

Thursday, June 16

8:00 AM Introduction to 3D Displays Chris Chinnock, Insight Media
8:00 AM Autostereoscopic 3D Real-World Case Studies: From Concept-to-Final Installations Pia Maffei, Alioscopy
10:30 AM Active Shutter Glasses 3D Display Solutions Matthew Brennesholtz, Insight Media
10:30 AM System Integration for Stereoscopic Solutions Norbert Hildebrand, Insight Media
12:30 PM New 3D Workflows for a Viable 3D Production Business Michael Bergeron, Panasonic Solutions Company
12:30 PM 3D in Visualization/Simulation Andrew Jamison, Scalable Display Technologies
2:30 PM 3D Applications – Where, What and Why Norbert Hildebrand, Insight Media
2:30 PM Introduction to Stereovision and 3D Human Factors Chris Chinnock, Insight Media

Friday, June 17

8:00 AM Multi-window, Blended Displays Using Mixed 2D and 3D Content Holger Schulz, Christie Digital Systems; Victor Vettorello, Vista Systems Corp.
8:00 AM System Integration for Autostereoscopic Display Solutions Norbert Hildebrand, Insight Media
10:30 AM Content Creation for Stereoscopic Displays Chris Chinnock, Insight Media
10:30 AM 3D Applications – Where, What and Why Norbert Hildebrand, Insight Media
12:30 PM Passive Glasses 3D Display Solutions Chris Chinnock, Insight Media
12:30 PM Autostereoscopic Market Opportunities Norbert Hildebrand, Insight Media
2:30 PM 3D Polarization Modulation Chris Ward, Lightspeed Design
2:30 PM Autostereoscopic 3D Displays for Digital Signage Chris Chinnock, Insight Media


Each seminar is priced individually. 3D Comm Seminar registration on or before June 10th is $129/seminar for InfoComm members and $169 for non-members.   After June 10, registration is $199.
REGISTER NOW!

Seminar REGISTRATION link:   https://www.compusystems.com/servlet/ar?evt_uid=397

For more information regarding the 3D Seminars and/or 3D exhibition,  please contact:

Insight Media, Dian Mecca, (203) 831-8464,
dian@insightmedia.info.

3D Cinematography class: Los Angeles, May 21-25 – Santa Fe

[This website offers other 3D-related resources as well:  http://www.hdworkshops.com/sfhd/]

 

 

Designed to follow-up this year’s NAB Show, this high-end, hands-on workshop removes the mystery from the rapidly developing world of Stereoscopic 3D Cinematography. Santa Fe International’s experienced professionals and industry experts provide a detailed guide to latest generation of 3D rigs and tools available and how best to use those tools to create high-quality 3D images.

The Santa Fe 3D Workshops are presented in association with FujinonIRIDAS,Angenieuxv3DS.two1BeyondElement TechnicaMore2CamDSC Labs3reedom Digital21st Century 3DMarshall ElectronicsBarger LiteConvergent DesignCam-a-lot, and Fletcher Cameras & Lenses.

Working with the newest lineup of cameras, studio exercises will familiarize you with all of the essentials of 3D Cinematography: rig configuration, camera setup, lenses, monitors, convergence, framing & depth-of-field, lighting, motion, 3D recording & digital media, software, plus on-set and post workflow. Classroom sessions include the roles of the DP, Stereographer, Puller and Colorist; along with 3D basics, terminology, equipment choices and budgeting.

This workshop is designed for DPs, Stereographers, Operators, ACs and DITs looking to familiarize themselves with the latest technical and creative information available on these advanced systems, presented face-to-face by leading industry experts – many of whom were involved in 3D product design and development. The workshop also accommodates Directors, Producers, Production Managers and those interested in understanding the latest in Stereoscopic 3D Cinematography systems, creative capabilities, production techniques, on-set and post production workflow, deliverables and presentation.

Applicants must be experienced film and/or video professionals familiar with high-end production techniques.  Attendance is limited to provide for maximum experience during hands-on sessions and one-on-one time with leading industry experts. Applications are accepted on a first-come, first-served basis.

For questions about workshop registration please email here.

Location & Schedule
Los Angeles
Exact location TBA

Schedule of sessions TBA.

Instructors & Speakers
• Geoff Boyle, DoP
• Paul Taylor, DP/Stereographer
• Lucas Wilson, 3ality Digital
• Prof. Jae-mo Koo, DP, Underwater Cinematographer
• Diane Woods, Exec. Producer, 3reedom Digital
• Will Lundy, CTO, Ridgeline Entertainment
• Additional instructors and guest experts will be announced as they are confirmed.

Tuition: $2500
• $2150; Early Registration through May 7
Discounted tuition is available for members of the following professional organizations*  (full list here)
• $1995; Early Registration through May 7
• $2150; Tuition after May 7

• The Society of Camera Operators
• The Digital Cinema Society
• The Cinematography Mailing List
• ICG/Local 600
• PERA
• 3D@Home
• The American Society of Cinematographers
• The Canadian Society of Cinematographers
• all returning Santa Fe HD Workshop attendees.
* Proof of membership may be required.

Click to learn more about joining the SOCCML and DCS.

REGISTER
LA 3D Workshop

Sessions
• Just added – Underwater 3D Cinematography
• Just added – 2D to 3D Conversion
• Just added – 3D Broadcast Workflow
• 3D History and Industry Overview
• Terminology, Theory and Technology
• Pre-production, On-Set and Post Workflow
• Budgeting for 3D
• Roles of the Stereographer, Rig Tech and Convergence Puller
• 3D Rig Options
• Camera Systems and Selection
• Equipment Prep, Proper Rigging and Alignment
• Lenses, Tools and Accessories
• 3D Displays & Glasses Technology – Proper Setup and Viewing Issues
• 3D Recording and Digital Media
• Lighting for 3D
• On-Set Software and Color Grading
• Shortcuts that Work – Shortcuts that Don’t
• Tips, Tricks, Troubleshooting and Pitfalls
• Studio Exercises: Framing, Depth-of-field, Color, Motion, Contrast
• 3D Recording and Digital Media
• On-Set Software, Color Grading and Dailies
• Post Production Options
• Projection and Presentation

Meals
Tuition includes coffee service, snacks and full lunches. Vegetarian meals and other special dietary needs must be indicated at the time of registration. We can accommodate most, but not all, dietary requests. Please contact us directly to verify that your specific requests can be met.

The source web page is here:  http://www.hdworkshops.com/sfhd/index.php?option=com_content&view=article&id=61&Itemid=71

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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