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NBCUni Tests Your iCue

NBC Universal is handing out content on flash drives while shooting various programming at its CES booth, including Access Hollywood and CNBC Power Lunch.

Maria Bartiromo broadcasts from the NBCUni booth at CES

Maria Bartiromo broadcasts from the NBCUni booth at CES

Comedian Jimmy Fallon is roaming the booth with a multi-cam backpack nicknamed the “Zilla.”  The Manned Mobile Studio Halo (MMSH) – a COFDM microwave with on board switcher and 3 cameras – was unveiled by NBC Universal Field and Satellite Operations today.  (You can see it in action on the NBCU CES blog.)

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NBCU is also demoing its iCue web site, which combines student education with the company’s archival footage.  Related is the iCue video trivia quiz game, found on Facebook.

Where to see it:

  • Central 12113

They grow up so fast: “Jeopardy!” turns 25

Sony Pictures Television has unveiled a new Jeopardy! set in the Central Hall, where it is shooting Celebrity Jeopardy! (guests will include Elizabeth PerkinsAisha Tyler and Tom Bergeron) and the show’s Tournament of Champions, both of which are slated to air in March.

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The new setup includes Sony’s 70-inch LCD monitors and its new OLED monitors (and is, of course, being lensed with Sony cameras).

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Jeopardy! has won 28 Emmy awards since its debut in 1984.  It was also the first quiz show to produce episodes in HD.  After CES, the set will go into storage until the show’s next season in September.

Where to see it:

  • Central 14200

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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