News Stories

ETC at NAB 2018

ETC once again participated at this year’s NABShow (April 7-12, Las Vegas Convention Center).  Directors Yves Bergquist (AI & Neuroscience in Media), Phil Lelyveld (Immersive Media), and Seth Levenson (Adaptive Production) programmed sessions for the Next-Generation Media Technologies education track, focusing on AI and Machine Learning, Immersive Media and Cloud technology.  Our sessions were Pushing Immersive Media to the Limit – Location Based Entertainment (Monday, April 9, 11:20am – 12:00pm), Audience Genomics: Neuroscience & Machine Learning Practices to “Hack” Audience Segmentation (Tuesday, April 10, 1:30pm – 1:45pm), Content Genomics: Neuroscience & Machine Learning Practices to “Hack” Content Recommendation (Tuesday, April 10, 1:50pm – 2:50pm), and Innovation in the Cloud: Building Comprehensive Media Solutions (Wednesday, April 11, 9:00am – 9:35am).

On Sunday, April 8, prior to Monday’s official show floor opening, ETC presented in the Future of Cinema sessions:  Phil Lelyveld delivered market research data and Gen Z attitudes and behaviors in Gen Z: The YouTube Generation, and Yves Bergquist joined a panel to discuss Do Androids Dream of Making Movies?

USC Students Discuss M&E at ETC 2018

The ETC assembled a panel of seven USC undergraduate students studying various aspects of media to share their views on media at the March 22, 2018 ETC All Members Meeting.  Topics ranged from movies to TV / video, screens, and virtual reality.  Here is a 6 ½-minute highlight reel.

 

Panel:

  • Porschia Adler, Sophomore Business Administration
  • Kaitlyn Chu, Freshman Arts, Technology and the Business of Innovation
  • Caroline Kinley, Sophomore Acting
  • Dominica Ruelas, Senior Film/TV Production
  • Tara Shivkumar, Senior Writing for Screen and Television
  • Nhi Trinh, Sophomore Computational Neuroscience
  • Angela Wu, Sophomore Arts, Technology and the Business of Innovation
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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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