News Stories

World’s First 3D/2D HD Stereoscopic Broadcast and Blu-Ray Format

TDVision Systems offers an encode-once, deploy-anywhere solution to 3D content encoding.  Their solution allows for fully compatible encoding, including 1080p per eye display encoding, for all existing and future 3D displays as well as 2D display devices.  They are showing a variety of demonstrations in their booth, including dual projector 3D and DLP.  Ethan Schur, who has been attending the SMPTE meetings on 3D, is running the booth.

The TDVCodec encoding and decoding system for High Definition 3D Digital Video supports Blu-ray and broadcast at up to 1920x1080p resolution

The TDVCodec encoding and decoding system for High Definition 3D Digital Video supports Blu-ray and broadcast at up to 1920x1080p resolution

Where to see it:

  • South 2 21425

Check out the press release for more details.

Panasonic Steps into 3D and The Net

Panasonic hosted a pre-show press event at the Venetian today during which the company emphasized a few key areas of focus for the next few years.  Centering on their “digital hearth” from last year, they touted a number of activities that centered on 3D and the Net.

They announced a new initiative to cooperatively develop a single 3D standard to allow full 1080P 3D content to be displayed on consumer devices.  To point out that content was important, they had an extended video statement from Jim Cameron who is currently in post-production on Avatar.  He noted the use of Panasonic screens in his current production and said he had recently seen their 1080P technology and was impressed that they were actively perusing an exciting new home delivery system.
 
They also showed system integration of Blu-ray players and televisions and revealed Web-enabled direct IP connections with YouTube and Amazon for video content.  The service allows connection with their new Blu-ray portable player as a personal screen that is IP-connected to their video servers.

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Panasonic also spoke of an extensive community involved recycling program that rolls out this year and expects to reach about 600 centers in the next two years.

Where to see it:

  • Central 9405, Central 9458

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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