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Archerfish provides Mobile Video Intelligence Solution

Archerfish by Cernium Corp. is a CES Innovations honoree in the Integrated Home Systems product category.  It provides consumers with a convenient way to track their homes and businesses, from any location.

Making its debut at this year’s show, Archerfish claims it is “the first and only mobile video intelligence (MVI) solution.”  Through a combination of video cameras, software and a Web portal, the system “watches” locations for events the user defines (such as an expected delivery, kids returning from school, or an unwelcome intruder).

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What sets this system apart from traditional home security and video-monitoring systems is the customization features and notification options.  If and only when a defined event occurs, Archerfish notifies users with event text and video to their mobile device, email, or custom Web portal.

Where to see it:

  • South 2 26519

 Check out Archerfish video demos:

Swiss Army Knife for the Digital Age

Just when it seemed you couldn’t add anything more to the Swiss Army Knife, they did. Now you can get a clock and altimeter…

swiss_army1

2009 marks the 125th anniversary of Victorinox Swiss Army – the name behind the Original Swiss Army Knife, timepieces and now SwissFlash USB products.  The business man’s Swiss Army knife below has added a 32GB USB drive, fingerprint security scanner, laser pointer and Bluetooth remote.

swiss_laserWhere to see it:

  • South 3 30365

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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