News Stories

P3 International offers Intelligent Power Strip

P3 International is showing its Kill A Watt PS – a surge protector with backlit LCD to help measure energy efficiency.

kill_a_watt

Now you’ll know how much power your entire computer or home theater system is using.  Check the quality of your power by monitoring voltage, line frequency, amperage, KWH, current leakage and more.

Where to see it:

  • South 3 31265

HP’s Mobile “Mi”and iPrint Photo

In the Hewlett-Packard booth we were impressed by the sleek, downsized design of the new “Mi” Edition (Mobile Internet) Mini 1000 that sports an Intel Atom processor and runs on HP Mi software built on Linux, instead of Windows. You have the choice of an 8.9-inch widescreen or 10.1-inch display with flush glass. The Mini 1000 also features one of today’s better keyboards we’ve seen for Netbooks. Prices start around $330.

mini1000HP is also showing its recently announced iPrint Photo – a WiFi-based printing solution for the iPhone or iPod Touch that allows the devices to easily connect to any WiFi-based HP printer. This is ideal for those who want 4×6 prints of images shot from an iPhone. iPrint is a free app currently available from the iPhone App Store.

hp_iprint1

Where to see it:

  • South 3 31112

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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