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Samsung: Glasses-Free 3D TV Unlikely in Next 5-10 Years

Samsung Electronics Co., the world’s largest flat-screen television maker by shipments, said glasses-free three-dimensional TV sets won’t be a common household item in the next five to 10 years because technical hurdles still exist before such TVs can be mass-produced at an affordable price.

B.K. Yoon, Samsung Electronics’ visual-display president, said at a forum that while 3D without glasses is possible on cellphones and other small mobile devices, there are still challenges for 3D TVs.

However, rival Toshiba Corp. of Japan earlier this month unveiled the world’s first glasses-free 3D liquid-crystal-display television sets, less than a year after most set makers launched 3D television sets that require the cumbersome eyewear. The company has said it plans to start selling the glasses-free TVs in December.

The cutthroat nature of the television-set industry is marked by precipitous price declines every year and innovations that threaten to cannibalize promising technologies even before companies can cash in on years of research and development.

As 3D content becomes more prevalent in movies and video games, electronics companies are trying to do away with the glasses that help create the illusion of depth.

Many analysts agree with Samsung, noting that it will likely take at least five years to bring the glasses-free 3D TVs into living rooms at an affordable price.

Television makers are ramping up for a holiday shopping season during which 3D television sets are expected to be a major driver of sales. Research firm DisplaySearch said it expects global shipments of 3.4 million 3D television sets in 2010, accounting for roughly 5% of the total flat-panel set market.

Samsung said earlier that its 2010 sales of 3D TVs may outpace last year’s sales of its more traditional offerings even as it struggles to cope with the surge in demand.

Samsung’s hometown rival LG Electronics Inc. launched its 3D TVs in March and said it expects its sales of such TVs to reach more than one million units this year.

By JUNG-AH LEE And DAISUKE WAKABAYASHI

original post: http://online.wsj.com/article/SB10001424052748704361504575551882741451978.html?mod=googlenews_wsj

President to Sign Video Description Bill

(Phil Lelyveld question: what new descriptive language do you think will be needed for 3D content?  Submit your thoughts below.)

WASHINGTON: A bill that will reinstate mandatory video description is scheduled for a presidential signing ceremony tomorrow. The 21st Century Communications & Video Accessibility Act brings back FCC rules requiring a verbal play-by-play of programming for the blind.

Boston PBS member station WGBH-TV developed descriptive video service in the 1990s. The service is carried in the Second Audio Program channel as an option, much the way closed captioning can be turned on and off.

The bill on the president’s desk requires the FCC to issue a rulemaking to reinstate its video description regulations, which first went into effect in 2000 amid objections from Hollywood and broadcasters. A federal court struck them down in 2002.

The video description rules required the top four network-affiliated TV stations in the top 25 TV markets to provide at least 50 hours per quarter of prime time and/or children’s programming with video description. Cable and satellite operators with at least 50,000 subscribers were subject to the same requirement. All other TV stations and cable operations were required to pass through the service if they had the technical capability to do so.

The Video Accessibility Act directs the FCC to update its list of the top 25 TV markets, and the top five national nonbroadcast networks with at least 50 hours per quarter of prime time programming. Other provisions in the bill cover cell phone communications and Internet use.

“When signed into law, this legislation will give individuals with vision or hearing loss improved access to television programming, smart phones, the Internet, menus on DVD players, program guides on cable TV, and more,” the American Foundation for the Blind said in a press release.

The bill requires wireless providers to make Wi-Fi phones, Web browsers, text messaging and e-mail on smart phones fully accessible to people with vision and/or hearing impairment. It covers emergency broadcast information and allocates $10 million a year for developing assistive technologies.

“Once enacted, this legislation will ensure that the 25 million Americans with vision loss, and the millions more with other disabilities, can fully take part in the digital era,” said Paul Schroeder, vice president of the AFB. “It will improve job opportunities, education opportunities, and more.”

President Barack Obama is set to sign the 21st Century Communications & Video Accessibility Act tomorrow in the East Room of the White House at 2 p.m. Eastern. He’ll be joined by Rep. Ed Markey (D-Mass.), who introduced the legislation in June 2009. —Deborah D. McAdams

original post: http://www.televisionbroadcast.com/article/107486

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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