News Stories

Horse of the Year Show Gallops Into 3D for the First Time

[Press Release]

Sky Sports will give show jumping its world 3D debut this October when Horse of the Year Show 2011 is broadcast exclusively live on Sky 3D TV.

The two nights of coverage on the Sky 3D channel will feature highlights of the internationally recognised National Show Jumping Championships, along with traditional Horse of the Year favourites including Dressage competitions and the renowned Puissance, all from the weekend finale of the Show.

John Cassy, Director of Sky 3D commented: “‘Horse of the Year Show in 3D will give audiences a totally fresh perspective on the art of show jumping. It will give viewers a greater sense of the incredible skill and control the riders need to win this event than ever before.”

To mark this transmission debut, Sky has worked with event organisers to develop a bespoke new jump that will maximise the viewing experience in 3D. Taking advantage of the depth of field which 3D provides, the jump features colour and design detail which will transport viewers to the heart of the action.

Chief Executive of British Show jumping, Iain Graham, is delighted to see Horse of the Year Show showcased as the first show jumping event in the world to be shown live in 3D. “Screening the event in 3D is a wonderful occasion for the sport and a fantastic opportunity for viewers to witness this prestigious event.”

Horse of the Year Show started in 1949 and was initially staged in Harringay. In 1959 it moved to Wembley Arena where it remained for 43 years, before moving to its current location in 2001 – Birmingham’s NEC Arena. Hosted by British Showjumping and event organisers Grandstand Media, over its 62 years Horse of the Year Show has made household names of the likes of David Broome, Nick Skelton, Michael Whitaker and Harvey Smith and continues to attract record attendances to a sold-out arena year after year.

The event finale will be aired live on the Sky 3D channel on Saturday October 8 at 20.30 and Sunday October 9 at 20.00. It will also be simulcast in high definition on Sky Sports HD4. For more information visit http://www.sky.com/shop/ .

See the original press release here: http://www.marketwatch.com/story/horse-of-the-year-show-gallops-into-3d-for-the-first-time-2011-09-27

Getty Images to Capture London 2012 Olympic Games in 3D

[Press Release]

Getty Images, the official Photographic Agency to the International Olympic Committee (IOC), has announced that it will shoot the London 2012 Olympic Games in stunning 3D. This will be the first time Getty Images has shot the Games using this technology and Getty Images is deploying a handful of 3D-dedicated photographers to ensure the best still shots are captured.

Getty Images first used 3D photography when shooting the Royal Wedding in April and believe the technology will give a new dimension and unprecedented insight to the world’s greatest sporting event; ensuring customers experience a unique perspective of all the action.

In addition to their 3D offering, Getty Images will also have a team of photojournalists covering all aspects of the London 2012 Olympic Games, providing near instant access to the magical moments as they unfold. Utilising the very latest technology and transmission, this high quality content will be uploaded to the dedicated site www.gettyimages.com/olympics within seconds of the action happening.

“Getty Images photographers will capture the very heart and soul of every emotion and action, enabling us to supply customers with the widest possible range of images to meet their needs – and the fact that we now have an additional 3D stills offering is testament to our mission to offer innovative, ground breaking content,” said Jonathan Klein, Co-founder and Chief Executive Officer of Getty Images. “The Olympic Games is the most respected sporting event in the world and has made an indelible impression in our collective memories with its visually rich history and Getty Images will help ensure this is once again the case at London 2012.”

With an elite roster of award-winning photographers and an unrivalled heritage of capturing both the Olympic Games and other high profile sporting events in London, this will be Getty Images’, formerly Allsport’s, 13th consecutive event as the official Photographic Agency to the IOC.

Getty Images will be deploying a team of approximately 60 renowned and award-winning sports photographers working around the clock to capture a record 30,000 images at the Games.

For further information on Getty Images’ involvement as the official photographic agency of the IOC visit www.gettyimages.com/olympics .

Our photographers have hung from the rafters, gone right to the heart of the action and have been that extra mile to capture sport’s most iconic moments. Click here to read a few of their stories.

Click here to view imagery from previous Olympic games – from Beijing to the 1896 games in Athens

With less than a year to go, people around the world are coming together to celebrate the countdown to London 2012. A selection of imagery showcasing these milestones can be found here.

Images and interviews with Getty Images’ Olympic photographers available on request.

About Getty Images

Getty Images is one of the world’s leading creators and distributors of still imagery, video and multimedia products, as well as a recognized provider of other forms of premium digital content, including music. Getty Images serves business customers in more than 100 countries and is the first place creative and media professionals turn to discover purchase and manage images and other digital content. Its award-winning photographers and imagery help customers produce inspiring work which appears every day in the world’s most influential newspapers, magazines, advertising campaigns, films, television programs, books and websites. Visit Getty Images at www.gettyimages.com to learn more about how the company is advancing the unique role of digital media in communications and business, and enabling creative ideas to come to life.

Read the original post here: http://www.marketwatch.com/story/getty-images-to-capture-london-2012-olympic-games-in-3d-2011-09-06

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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