News Stories

Meduza Launch 3D Camera With Adjustable Inter-axial

[3D Focus]

3D camera specialists Meduza Systems are launching the Meduza TITAN – the world’s first fully controllable, lightweight, 3D precision single HD camera with 1080p dual sensors.

Designed for 3D television production, the Meduza TITAN camera will be previewed at Createasphere, the Entertainment Technology Exposition this Wednesday, at the Marriott Hotel in Burbank.

Unlike the fixed inter-axials of the Panasonic AG-3DP1 3D and Sony PMW-TD300, the Meduza TITAN will feature fully motorized adjustable inter-axial distance. This means the Meduza TITAN will allow for close up 3D filming as well as longer distance shots. The inter-axial is accurate to 1 micron.  …

Meduza TITAN will cost $55,000 (approx £34,000) with deliveries expected in late December.

See the full story here: http://www.3dfocus.co.uk/3d-news-2/3d-technology/meduza-launch-3d-camera-with-adjustable-inter-axial/6073

 

Beautiful Trailer, Bland Poster Debut For 3D Stop-Motion Animated ‘ParaNorman’

[IndieWire]

Also being released next year is “ParaNorman,” the new 3D stop-motion film from Laika, the Portland, Oregon-based animation studio that gave us the wonderful “Coraline” back in 2009, and judging by the jaw-dropping new trailer, it’s definitely one to keep an eye on.  …

The trailer (courtesy of Yahoo Movies) is an entirely wordless affair, set to Donovan’s trippy “Season of the Witch” (subbing for the eventual score by Jon Brion—another inspired choice for an animated film). We see Norman going about his daily life (he seems to be a bit of a horror film nut, despite his very real ability to talk to the death) until things become very ghoulish and zombies start popping out of the ground and giant monsters threaten civilization. The visuals are absolutely spellbinding, with some genuinely frightening moments (the zombie scraping the wallpaper with its hooked talon) – that surreal, spooky look that they pioneered in “Coraline” seems to have been pushed even further, and we have a feeling this is really going to be amazing in 3D, a format that really benefits the tactile nature of stop-motion animation.  …

See the full story here: http://blogs.indiewire.com/theplaylist/archives/2011/10/30/beautiful_trailer_bland_poster_debut_for_3d_stop-motion_animated_paranorman/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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