News Stories

Cameron’s new 3D on OWN

[HollywoodInHiDef]

James Cameron is shown in production on a 3D theatrical film of a Cirque du Soleil show in the new episode of “Visionaries: Inside the Creative Mind” on OWN TV, which premiered Sunday night (DISH Network carries the HD version of the network, not DirecTV).
Cameron also is shown at a Los Angeles studio shooting a new 3D demo for theater owners of an enhanced 3D format on a Medieval set featuring actors in a sword fight. …

See the full story here: http://hollywoodinhidef.com/2011/10/camerons-new-3d-on-own/

3D – Google Trends plot

 

By Philip Lelyveld – Here are two plots from Google Trends, which gives the trend line for a specific search term.  In this case the plot shows the trend for “3D” worldwide (“all regions”) and the U.S.

All Regions

 

TV makers bet big on 3D, payoff uncertain
Reuters – Jan 7 2010
3D TV
Daily Mail – Mar 10 2010
Sony Move to 3D
Brisbane Times – Jun 16 2010
Panasonic aiming for half of Europe’s 3D TV market
Reuters Canada – Sep 2 2010
Sony: 3D TV for everyone
Washington Post – Jan 6 2011

LG unveils 3D smartphone
MarketWatch – Feb 14 2011

 

——————

North America

TV makers bet big on 3D, payoff uncertain
Reuters – Jan 7 2010
3D TV
Daily Mail – Mar 10 2010
Sony Move to 3D
Brisbane Times – Jun 16 2010
Panasonic aiming for half of Europe’s 3D TV market
Reuters Canada – Sep 2 2010
Sony: 3D TV for everyone
Washington Post – Jan 6 2011
LG unveils 3D smartphone
MarketWatch – Feb 14 2011


Search Volume Index

In relative mode, the data is scaled to the average search traffic for your term (represented as 1.0) during the time period you’ve selected. For example, if you entered the term dogs, the graph you’d see would be scaled to the average of all search traffic for dogs from January 2004 to present. But if you chose a specific time frame – say 2006 – the data would then appear relative to the average of all search traffic for dogs in 2006. Then, let’s suppose that you notice a spike in the graph to 3.5; this spike means that traffic is 3.5 times the average for 2006.

Is the News reference volume graph scaled?

No. The graph is for illustrative purposes, and simply shows you the number of times your topic appeared in Google News stories.

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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