News Stories

'Journey 2' tops Chinese mainland box office

[China.org]

According to China film box office statistics by Enbase, mainland box office gross in the seventh week (Feb 13, 2012- Feb 19, 2012) reached $60.97 million, up 20% from last week.  …

The 92-minutes length and high 3D admission fee together contributed to its outperformance, as well as eye-grabbing 3D vision effect was also a guarantee for the family friendly adventure film. …

See the full story here: http://www.china.org.cn/arts/2012-02/23/content_24710840.htm

Bang + Olufsen BeoVision 12-65 3D TV hits North America in March for $11,350

[Press Release]

Bang & Olufsen, the global leader in luxury, custom-made audio and video products, announces the arrival of its new ultra flat 3D 65-inch plasma solution (with integrated center channel and 7.1 surround sound) this week in all Bang & Olufsen showrooms in the United States, Canada and Mexico.  BeoVision 12 was previewed at the 2012 Consumer Electronics Show in January and will now enter the global marketplace. Under the new BeoVision 12, Bang & Olufsen will set new standards for the cinematic experience, as it presents an advanced plasma solution with very thin design and new adaption features such as automatic picture control and color management technologies to ensure, a rich and true-to-life viewing experience.

Designed by David Lewis Designers, BeoVision 12-65 offers a completely new design expression, which has a very thin and light appearance that truly innovates the heavier plasma concepts on the market today. Besides using an ultra slim NeoPDP panel with the latest and greatest in plasma technology, BeoVision 12 also features two aluminum profiles that bend inward in a V-shape – one in black and one in natural high-gloss polished aluminum – which create an optical illusion giving the TV a thin, light and extremely elegant visual expression.

The actual frame is an extremely thin (almost foil-like) black aluminum sheet of only a few millimeters thickness that gives an impression of one uninterrupted glass surface with no visible joints.

Dedicated center sound is integrated

The integrated center speaker is placed below the screen and consists of five custom-made speaker units covered by a soft curved natural anodized aluminum grill with an intricate organic shaped hole pattern. Attention to detail is a must in this TV concept. Even the hole pattern in front of the speaker units is made according to special acoustic specifications. The front plate of the integrated center speaker is placed as a small protrusion adding a few extra mm to the thickness in the lower part of the TV, (2 and 5/8 inches in total depth) while maintaining a certain lightness in the overall design.

“The arrival of the BeoVision 12 solidifies our commitment to the premium segment of wide-screen home cinema solutions,” states Zean Nielsen, President of Bang & Olufsen America, Inc. “Furthermore, it strengthens our 3D large screen TV portfolio and complements our home integration and personalized installation services.”

The center channel performance of the integrated loudspeaker matches the powerful BeoLab 5 loudspeakers in a surround sound setup. Additionally, with the TVs sophisticated Digital Signal Processing, our acoustic engineers have lifted up the center channel speaker so you will experience that speech is coming out from somewhere mid-screen, not below the TV. This gives you a more natural sound experience (especially when needed in watching news or broadcasts with a lot of speech.)

Since the amount of space is limited in this speaker design, highly sophisticated and powerful amplifiers are needed. Bang & Olufsen’s patented ICEpower technology is used for the BeoVision 12 speaker design. It contains 4 x 80 watt ICEpower amplifiers for the midrange and 1 x 40 watts for the treble.

The highly sophisticated video engine, handling all sound processing and picture technologies, includes as standard a full 7.1 surround sound module, which allows you to connect a vast number of speakers, almost any sound configuration you may want is possible.

The latest plasma technology

The TV comes with the latest in plasma technology offering an even greater experience in both 2D and 3D. The panel is a NeoPDP panel, which includes new phosphors with a very short retention time, which allows for an improved 3D performance and a much better motion performance in a 2D viewing situation.

BeoVision 12-65 also comes with Automatic Color Management to compensate for the effects of aging that is common for the plasma technology. For BeoVision 12-65, the robotic arm featuring a camera is located underneath the screen, hidden behind the loudspeaker grill.

The best viewing experience in any light conditions

Bang & Olufsen’s Automatic Picture Control feature senses the level of ambient light from the room and dynamically alters the picture adjustments accordingly, so that the picture quality is maintained day and night.

Automatic Picture Control makes sure you get just the right balance of light from the screen when you watch TV in either bright or dark surroundings. The light sensor is placed in the upper right hand corner and is designed, so it picks up the lighting conditions of the room in a 360 degree angle. This is to achieve a measurement of the light conditions of the room, which is similar to what the human eyes see.

The entire TV is offered in one placement alternative only, directly on the wall. The design of the wall bracket is quite unique as it is partly integrated in the rear cabinet, which means it hardly adds to the thickness of the TV at all.

BeoVision 12 is sold exclusively through authorized Bang & Olufsen dealers and will begin to arrive in Bang & Olufsen showrooms in March 2012. Recommended consumer price for BeoVision 12 is $11,350.  However, BeoVision 12 will be positioned in the Bang & Olufsen showrooms to include the BeoSystem 3, which will in total retail at $19,749.00

 

DESIGNER David Lewis Designers
DIMENSIONS 161 x 96.4 x 6.4 cm/60 kg
(W x H x D)/WEIGHT 63.4 x 38 x 2.84/132.3 lbs
COLOR(S) Cabinet: Dark gray
Frame: Silver/black
POWER CONSUMPTION EU (230V) Typical (IEC 62087:2.ed): 290/Standby: 0.3 W
US (110V) Typical: 310 W/Standby: 0.5 W
SCREEN TYPE 65″ 16:9 Plasma display panel
RESOLUTION 1,920 x 1,080 pixels (Full HD)
3D FUNCTION Requires active shutter glasses
LOUDSPEAKER Integrated center speaker for surround sound setup
POWER AMPLIFIERS 5x Class D, ICEpower
PLASMA CONNECTION Picture: 1 x HDMI
Control and Automatic Color Management:
1x RS 232C (RJ45)
IR and Auto Contrast:
1 x RJ45
Sound (center channel):
1 x Power Link (RJ45)
Wall bracket

 

Bang & Olufsen was founded in Struer, Denmark, in 1925 by Peter Bang and Svend Olufsen, two innovative, young engineers devoted to high quality audio reproduction. Since then, the brand has become an icon of performance and design excellence through its long-standing craftsmanship tradition and the strongest possible commitment to high-tech research and development.

Still at the forefront of domestic technology, Bang & Olufsen has extended its comprehensive experience with integrated audio and video solutions for the home to other areas such as the hospitality and automotive industries in recent years. Consequently, its current product range epitomizes seamless media experiences in the home as well as in the car and on the move.

For more information on Bang & Olufsen, please visit www.bang-olufsen.com.

See the original press release here: http://www.bradenton.com/2012/02/22/3894118/bang-olufsen-announces-us-arrival.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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