News Stories

A lens so big that you can see a whole animal and its cells at the same time – in crystal clear 3D

[Metro UK]

The 70cm mesolens, with its 8cm diameter, is a breakthrough in the world of microscopy that can cut the speed of scientific work and improve the development of new drugs, say researchers.

Two large electrically controlled mirrors focus a laser beam to examine tissues such as the cortex of the brain or tumours. It could play a vital role in identifying new treatments for diseases such as cancer, they claim.

The lens was developed at the University of Strathclyde, in Glasgow, to meet the growing need to examine much larger tissue samples than could be handled by existing technology.

Its resolution is 1,000 times finer than nuclear magnetic resonance microscopes currently used, allowing it to see detail in images just 500 nanometres across when examining specimens measuring 6mm. …

See the full story here: http://www.metro.co.uk/news/890105-the-3d-lens-that-may-hold-a-key-in-battle-against-cancer

Win WWII in 3D (Blu-ray)

[HornseyJournal]

Incredibly, during WWII both the Allies and the Nazi propaganda machine were using 3D technology to produce colour photographs, and even films, in stereoscopic 3D. These historical gems were locked away in secret archives until now, when today’s 3D consumer technology allows us to view these incredible artefacts in our own homes, bringing images from history to life in a way few have ever seen before.

3D content contained in this treasure trove of rare and dramatic material includes: reconnaissance photos shot by the Allies; a collection of revealing images shot by the Nazis that detail the rise and fall of the Third Reich from within; stunning photos secretly taken by a civilian in occupied France; and an amazing 3D motion picture filmed by the Nazis in 1943. These have not been adapted or artificially upgraded into 3D, they were actually shot using 3D technology.

Whatever footage you may have seen before, nothing will prepare you for seeing history come alive in a totally new dimension!  …

Read the full story here: http://www.hornseyjournal.co.uk/hornsey-life/competitions/win_wwii_in_3d_blu_ray_1_1207457

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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