News Stories

3D under spotlight at SVG Europe’s football production summit

[IndianTelevision]

3D and 4k technologies will go under the spotlight at SVG Europe’s inaugural Football Production Summit, scheduled to take place in Paris on 29 February.

Moderated by SVG Europe’s Advisory Group chairman Peter Angell who is director of production and programming at Fifa World Cup host broadcaster HBS, this forward-looking session will examine what can be learned from the implementation of 3D across the continent in the EnglishPremier League, Bundesliga, Uefa Champion’s League and other sports.

Joining the debate at this event are panellists BSkyB 3D operations and development manager Robin Broomfield; 3ality Technica CEO Steve Schklair, Cameron Pace Group co-founder Vince Pace and Can Communicate creative director Duncan Humphreys.  …

Read the full article here: http://www.indiantelevision.com/headlines/y2k12/feb/feb110.php

Monkey King reigns again in digital 3D

[ScreenDaily]

Hong Kong and Beijing-based sales agent The Film Library is partnering with Shanghai Film Group to sell The Monkey King – Uproar In Heaven 3D, which screening in Berlin’s Generation section.

 

The film is a digitally restored 3D version of the 1960s animation classic produced by Shanghai Animation Film Studio and directed by animation masters Wan Laiming and Tang Cheng. Shanghai Film Group, the parent company of the animation studio, set up a joint venture with post-production group Technicolor to restore the film.

Directed by Su Da and Chen Zhihong, the new version has voiceovers by Chinese actors Liu Ye and Chen Daoming and internationally renowned directors Chen Kaige and Feng Xiaogang, among others. It was released in mainland China on Jan 12 and has so far grossed around $8m (RMB50m).

The original, based on part of Chinese classic storyJourney To The West, grossed more than $16m (RMB100m) when it was released in two parts in 1961 and 1964. It also won a best film award at the London Film Festival in 1978.

See the original story here: http://www.screendaily.com/news/asia-pacific/monkey-king-reigns-again-in-digital-3d/5037924.article

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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