News Stories

To 3D Or Not To 3D: Buy The Right Journey 2: The Mysterious Island Ticket

[CinemaBlend]

SCORES RECAP
3D Fit 5
P&E 5
Before The Window 3
Beyond The Window 3
Brightness 4
The Glasses Off Test 3
Audience Health 5
Total Score 28 (out of a possible 35)

Final Verdict: This is a first for us here at Cinema Blend. We have a weekend in which two 3D movies are being released and they managed to get the exact same score in our 3D tests. Journey 2: The Mysterious Island isn’t a breathtaking experience by any means, but director Brad Peyton has done a solid job creating a 3D environment. Those expecting what they saw in Journey To The Center of the Earth may be disappointed, but if you’re going to see the sequel it won’t hurt to shell out the extra cash.

See the full story here: http://www.cinemablend.com/new/3D-Or-3D-Buy-Right-Journey-2-Mysterious-Island-Ticket-29372.html

A LOOK AT SAMSUNG’S EXPLORE 3D

[3DTV]

A few days ago, I took a look at the 3D service offered on Sony TVs and Blu-ray players.   …

I thought it would be worthwhile then, to take a look at what Samsung offers with its 3D TVs. The Samsung service is called Explore 3D and it’s been available in the United States since May of last year. The app, which comes out when you press the ‘Internet’ button on the remote has trailers, music videos, sports content, some kid shows, and documentaries.

Under the music category, Samsung provides a large number of music videos, many featuring Britney Spears. Although music videos are inherently promotional, these videos, at least in some cases, run up to 15 min. in length.

Samsung also offers trailers from a variety of 3D movies, and that is roughly on par with what Sony offers. Samsung also provides some 3D trailers from video games.

There is also a collection of 30 kids shows, some that teach the alphabet, and other shows that kids will probably enjoy. There are also several episodes of something called ‘Canimals’, a series sourced from Japan that is mainly visual and can work for kids of all ages.

The real treasure trove is the collection of 1st rate IMAX films that are available in their entirety and only a click away. Some of the titles include Arabia 3D, Ultimate Wave: Tahiti, Dinosaurs Alive!, Dinosaurs: Giants of Patagonia, Mummies, Ultimate Gs, Legends of Flight produced by Boeing, Wild Ocean, and Grand Canyon: River at Risk. …

Read the full story here: http://www.3dtv.com/news/A-look-at-Samsungs-Explore-3D

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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