News Stories

3D – the Next Dimension

[Philip Lelyveld comment: this is a very good primer on 3D and the current situation.]

[Expert Reviews]

Back in December 2009 the blockbuster Avatar was heralded as the biggest thing for the film industry since colour was introduced almost a hundred years before. From now on, it was claimed, the movie-going experience would be one of unprecedented levels of realism thanks to3D technology. It wouldn’t end with the cinema either. Thanks to 3D TVs, 3D cameras, 3D computer displays and 3D games consoles, the world of flat, boring images would become a thing of the past as the world on our screens became ever closer to the real three-dimensional world we inhabit.

TABLE OF CONTENTS
PAGE 1: INTRO and A FLASH IN THE PAN?
PAGE 2: VISUAL CUES and OVERCOMING THE DRAWBACKS
PAGE 3: EYE HAVE A HEADACHE and A HOLOGRAPHIC FUTURE?
PAGE 4: CONCLUSION
PAGE 5: STEREOSCOPY – HOW IT WORKS and CREATING IN ANOTHER DIMENSION
PAGE 6: 4D AND 5D EXPERIENCES and THE OCCLUDING PROJECTOR SYSTEM

See the full article here: http://www.expertreviews.co.uk/home-entertainment/1290235/3d-the-next-dimension

"Stalingrad" in IMAX-3D

[The Voice of Russia]

A popular Russian moviemaker, Fyodor Bondarchuk, is filming an epic war drama, “Stalingrad”. It will be Russia’s first film in the IMAX-3D format.

The son of the outstanding Soviet-era director, Fyodor Bondarchuk is fully aware that his new work won’t escape being compared to his father’s Oscar-winning masterpiece “War and Peace” based on Leo Tolstoy’s novel.

The film’s budget is $30 million. When the shooting and montage are over, “Stalingrad” will be converted into the IMAX (Image Maximum) format, which will put it in on a par with such 3D hits as “Harry Potter”, “Pirates of the Caribbean” and “Transformer”.

Read the full story here: http://english.ruvr.ru/2012/02/10/65779325.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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