News Stories

Tekken Hybrid Coming To Bluray

[Posted by lpfisher. The Gamers Hub]

Namco has announced that the upcoming film Tekken Blood Vengeance 3D will be coming to Bluray soon after its one-night only theater release on July 26. This Bluray, also containing the PS3 exclusive Tekken Tag Tournament HD, is being dubbed Tekken Hybrid.

For those not in the know, Tekken Blood Vengeance 3D is a fully CG production following Xiaoyu Ling on her mission to gather intel on Tekken newcomer Shin Kamiya. Blood Vengeance is written by Dai Sato (Ghost in the Shell; Cowboy Bebop) and produced by Digital Frontier (Death Note).

Sounds like a good package to me.

See the original post here: http://thegamershub.net/2011/06/tekken-hybrid-coming-to-bluray/

3D is definitive form of cinema, not alternative: Jon Landau

[by Meenakshi Shedde, msn news]

Jon Landau, producer of Oscar winning films like ”Titanic” and ”Avatar” with James Cameron, says 3D is emerging as the definitive form of filmmaking, not just an alternative.
“3D is not an alternative form, it is the definitive form of cinema,” said Landau, speaking at ScreenSingapore, a film business event organized by the Media Development Authority of Singapore from June 5-12.
The 50-year-old former Executive Vice President of Feature Film Production at Twentieth Century Fox is emphatic that 3D is the future of cinema.
“All our (visual) entertainment in future will be on 3D � in our theaters, homes, mobile phones. When home TV goes 3D, everybody will be forced to do 3D. So the more directors we have working on the technology now, the better.”
Landau said that the films made using the technology also has more shelf value. “Hollywood is based on long term library value. Just as a colour film library has greater value than that of black and white films, 3D film libraries” value will have greater value than those on 2D.”
But Landau is against the idea of converting 2D films into 3D saying it doesn”t really make it a 3D one. “Perhaps it should be called a ”2.8D film”!” he laughs.
After Hollywood, India and other Asian countries too have caught up on the 3D rage. Vikram Bhatt”s ”Haunted”, India”s first film in stereoscopic 3D, a horror film in Hindi, has shown healthy returns.

See the original post here: http://news.in.msn.com/business/article.aspx?cp-documentid=5197280

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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