News Stories

UPC Czech ups 3D offer

[by Chris Dziadul, www.broadbandtvnews.com]

The leading Czech cable operator UPC Czech is to offer its subscribers 15 days of live 3D broadcasts of the Roland Garos tennis tournament.

Shown on Eurosport and on an exclusive basis, they will be available to the approximately 50,000 UPC Czech customers who use the company’s HD-PVR and HD boxes.

They will also be accessible to the thousands of other UPC customers whose 3D sets are equipped with CA modules.

UPC was the first company in the Czech Republic to offer regular broadcasting in 3D, adding the channel HD+ to its line up last year.

The Roland Garos tennis tournament will run from May 22 until June 5.

See the original post here: http://www.broadbandtvnews.com/2011/05/17/upc-czech-ups-3d-offer/

BBC considers Wimbledon 3D rights

[by Chris Dziadulwww.broadbandtvnews.com]

The BBC is currently considering what it wants to do with the 3D broadcasting rights to Wimbledon and will say something about them publicly very soon, according to Danielle Nagler, head of HD and 3D Television at the Corporation.

She added that for the BBC it comes down to a consideration of the relative value of HD and 3D, given that there are around 8 million homes in the UK that can currently receive the former services and still under 200,000 the latter.

In her view, 3D still feels more interesting as a VOD than channel proposition. Nagler also said that 3D is “as far away from the mainstream today as a year ago” and that it is “vital to understand audiences” in order to find out “where they are in 3D”.

She added that “audiences take to 3D once you can guarantee a consistent experience”, as is already true in the cinema.

See the original post here: http://www.broadbandtvnews.com/2011/05/17/bbc-considers-wimbledon-3d-rights/

< PREVIOUS ARTICLES NEXT ARTICLES >

Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

Oops, something went wrong.