News Stories

White Paper on Augmented Reality Technology Research and AR Mobile App for Historical Photos by Azavea and Philadelphia Department of Records

[by PR Web]

The Philadelphia Department of Records (DOR) and Azavea announced the publication of a free white paper that summarizes their research on the use of mobile augmented reality techniques for enhancing digital access to historical and cultural resources. This paper accompanies the release of a prototype augmented reality application for PhillyHistory.org (www.phillyhistory.org), the online database of historic photograph and map collections from the City Archives, the Water Department, the Office of the City Representative, the Free Library, and the Library Company of Philadelphia, originally built by Azavea. The app is available at no cost for both iPhone and Android smart phones.

In spring 2010, the Philadelphia Department of Records was awarded an NEH Digital Humanities Start-Up Grant to develop innovative techniques for leveraging the sensors in contemporary smart phones to expand public access to historical data in novel ways. “Augmented reality” refers to a new type of software that can augment people’s experience of the physical world by overlaying additional digital information. The new Augmented Reality by PhillyHistory.org application provides point-and-view access to 500 historic photographs of selected sites around Philadelphia. Users are able to automatically access and view the historic photographs by simply pointing the camera of a smart phone at the contemporary site and selecting an available image. The historic photos then appear as an overlay on the current urban landscape, enabling viewers to compare the past to the present. This prototype application focuses on 3D display of images from several neighborhoods across the city while also providing simplified access to nearly 90,000 images from the PhillyHistory database. In addition to photos in the Center City area, images from other neighborhoods have also been incorporated in order to evaluate issues such as tree cover, building height, and other sources for location error that may affect the accuracy of the augmented reality display. To assist with evaluation of the software and provide more in-depth text for select photos, the project team worked with an advisory committee that included the co-editors of The Encyclopedia of Greater Philadelphia and Dr. Amy Hillier, professor at the University of Pennsylvania.

While augmented reality applications are growing in number and popularity around the world, very little has been written about the technical feasibility of different approaches. How can mobile augmented reality technology be used to enhance asset collections? Is the technology sufficiently advanced to make this type of application possible? Can historic images really be represented as overlays (i.e. 3-D objects pinned in space)? Is the screen size of a mobile device too small to properly display an image and text? Are smart phone networks fast enough to load all this information? With support from the NEH Digital Humanities Start-Up Grant, the DOR and Azavea’s software engineering team were tasked with exploring these questions and publishing a white paper to present the findings of this research. The white paper is free to download at www.azavea.com/augmented-reality

“When we started PhillyHistory.org 5 years ago, we only had 90 photos. We could hardly imagine that today we would have almost 100,000 historic photos and maps available to the public. Now with the augmented reality capabilities added to the system, PhillyHistory.org makes creative use of the latest technology to bridge the past and the present, as well as give residents and visitors a new means of learning about Philadelphia.” – Joan Decker, Commissioner, Philadelphia Department of Records

While the $50,000 research grant has yielded a more complete application than originally anticipated, the project team encountered a number of limitations with the current state of the technology. The Department of Records and Azavea expect to seek additional funding in order to develop solutions for these limitations as well as bring the technology to a broader array of devices including tablets.

About Azavea 
Azavea is an award-winning geospatial analysis (GIS) software development firm specializing in the creation of location-based web and mobile software as well as geospatial analysis services. Azavea is a certified B Corporation that applies geographic data and technology to promote the emergence of more dynamic, vibrant, and sustainable communities. Each of Azavea’s projects, products and pro bono engagements showcases this commitment. For more information, visit www.azavea.com.

If you would like more information about Azavea or to schedule an interview with Robert Cheetham, Azavea’s CEO and President, or Joan Decker, Department of Records’ Commissioner please contact Abby Fretz at (215) 701-7503 or e-mail afretz(at)azavea(dot)com

About the Philadelphia Department of Records 
The Home Rule Charter of 1952 established the Department of Records to ensure that Philadelphia’s municipal records are appropriately controlled and managed. The Department sets records management standards and procedures for all departments, boards, commissions and agencies, and it manages key central recordkeeping operations and services such as the City Archives, the Records Storage Center, the Recorder of Deeds and the Central Reprographics Services. www.phila.gov/Records/

See the original story here: http://www.sfgate.com/cgi-bin/article.cgi?f=/g/a/2011/05/17/prweb8416629.DTL

3D TV Set Market to Grow 500% in 2011, Says In-Stat

 

[Press Release]

3D imaging, which adds depth to a 2D image, is receiving a lot of buzz and hype with an increasing number of 3D films being produced in a resurgence of interest from Hollywood studios. 3D has been popular in Hollywood at other times in the previous century, but the difference is that now 3D viewing is possible in the home. As a result, the 3D TV set market is poised to grow dramatically in 2011 — by almost 500%, according to In-Stat (www.in-stat.com).

“Over the next few years, a greater percentage of large-screen TV sets will ship with the 3D feature,” says Michelle Abraham, Research Director. “We expect 100% of all 40-inch and above DTV sets will eventually be 3D enabled. This will not only cause shipments of 3D TV sets to increase, but will also grow the number of households worldwide with 3D TV sets. 3D content providers need not worry that consumers will be unable to view their content.”

Recent In-Stat research found the following:

  • Households with 3D TV sets will eclipse 300 million in 2015.
  • In 2011 Europe will boast the most 3D TV unit shipments at just over 7 million.
  • By 2015 Asia/Pacific will have the largest share of 3D TV unit shipments at 32%.

The research, 3D Enabled TV Sets on the RiseWorldwide (#IN1104960ME), provides an introduction to 3D technology as well as a worldwide five-year 3D TV set unit shipment forecast by region as well as a forecast for the number of households in each region that will have a 3D TV set. Companies mentioned in the report include LG, Panasonic, Samsung, Sony, Toshiba, Hisense, Mitsubishi, Skyworth, Sharp, and Vizio.

See the original post here: http://www.marketwire.com/press-release/3d-tv-set-market-to-grow-500-in-2011-says-in-stat-1515182.htm

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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