News Stories

DLC Projection Screen Which Can Be Used In A Brightly Lit Room

“Conferences may be held in bright locations, so it will no longer be necessary to draw curtains closed to use a projector.”

[by diginfo]

The Uchida Research Laboratory at Tohoku University demonstrated a high visibility projection screen using the theory of Diffused Light Control (DLC).

“Only light from the projector is diffused towards observers, and excess external light is reflected away from observers, or it is absorbed, so there is no influence from external light, and the screen can display images to observers with the black solid just the way it is emitted from the projector.”

The screen is made of a reflective panel and diffusion film, with the projector below projecting onto the screen from a low angle. The reflective screen changes the direction of the light entering from below towards observers, and the diffusion film diffuses that light, in order to show images to the viewer.

“Conferences may be held in bright locations, so it will no longer be necessary to draw curtains closed to use a projector. Therefore it can be light enough for people to take notes, and they can also avoid making people drowsy, which seems to be unavoidable when you make the room dark. Also, since clear images can be projected in a brightly lit room, it can also be used for digital signage.”

The screen demonstrated this time had seams due to the size of the diffusion panels, but if larger diffusion panels are made, it is also possible to make a large display with no seams.

Q.”It’s hard to see under direct sunlight. Sunlight is extremely strong, and this would need to be further tweaked, this will be the next issue we will approach.”

See the original post here: http://www.diginfo.tv/2011/04/18/11-0076-r-en.php

Tron: Legacy now available in Blu-ray 3D

 

[from StereoscopyNews.com]

For the most part, the five discs in the Tron: Legacy box and their associated features are impressive, if predictable. Both films look fantastic, and each comes with a bevy of behind-the-scenes featurettes, commentaries and other innovative features.

One film was meant to break new ground, and became celebrated for its concept. The other took that concept and gave it a fresh look (and notably, an incredible soundtrack from Daft Punk). Instead of breaking new ground, “Tron: Legacy” became a popcorn film, and there’s certainly nothing wrong with that. Read the paper explaining the ‘Tron’ concept here in Desert News.

The Amazon offer for the five-disc combo is here (49.99$).

See the original post here:  http://stereoscopynews.com/hotnews/storage-a-support/3d-blu-ray/1441-tron-legacy-now-available-in-blu-ray-3d.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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