News Stories

Single lens produces 3D microscopic images

[Philip Lelyveld comment: it sounds like the object must be much smaller than the lens, which makes this solution the same has having many camera positions on a small scale.]

[by Sify News]

A lens that enables microscopic objects to be seen from nine different angles at once to create a 3D image has been invented by engineers at the Ohio State University.

The new lens is the first single, stationary lens to create microscopic 3D images by itself.

Allen Yi, associate professor of integrated systems engineering at Ohio State, and postdoctoral researcher Lei Li, called the lens a proof of concept for manufacturers of microelectronics and medical devices, who currently use very complex machinery to view the tiny components that they assemble.

The prototype lens, which is about the size of a fingernail, looks at first glance like a gem cut for a ring, with a flat top surrounded by eight facets. But while gemstones are cut for symmetry, this lens is not symmetric. The sizes and angles of the facets vary in minute ways that are hard to see with the naked eye.

“No matter which direction you look at this lens, you see a different shape,” Yi explained.

Such a lens is called a “freeform lens,” a type of freeform optics.

Then Yi and Li used a commercially available milling tool with a diamond blade to cut the shape from a piece of the common thermoplastic material polymethyl methacrylate, a transparent plastic that is sometimes called acrylic glass. The machine shaved bits of plastic from the lens in increments of 10 nanometers, or 10 billionths of a meter – a distance about 5,000 times smaller than the diameter of a human hair.

The final lens resembled a rhinestone, with a faceted top and a wide, flat bottom. They installed the lens on a microscope with a camera looking down through the faceted side, and centered tiny objects beneath the flat side.

Each facet captured an image of the objects from a different angle, which can be combined on a computer into a 3D image.

The engineers successfully recorded 3D images of the tip of a ballpoint pen – which has a diameter of about 1 millimeter – and a mini drill bit with a diameter of 0.2 millimeters.

“Using our lens is basically like putting several microscopes into one microscope,” said Li.

“For us, the most attractive part of this project is we will be able to see the real shape of micro-samples instead of just a two-dimensional projection,” added Li.

The lens has been described in the Journal of the Optical Society of America A. (ANI)

See the original post here: http://www.sify.com/news/single-lens-produces-3d-microscopic-images-news-international-ldwqujbcbgc.html

 

Verizon’s FiOS TV à la carte’s ESPN 3D

[by Deborah D. McAdams, tvtechnology.com]

Verizon’s FiOS TV will offer ESPN 3D as part of a package or separately for $9.99 a month, the network said today. FiOS plans to launch ESPN 3D on April 5 to coincide with stereoscopic coverage of the Masters golf tourney and National Basketball Association playoffs. ESPN 3D will be available to FiOS customers who subscribe to the services Ultimate HD package, or individually for $9.99 a month.

Verizon announced its 3D plans for FiOS a year ago, a week after Cablevision carried the first live stereoscopic telecast in the United States. Comcast then announced live distribution of 3D to its hi-def subscribers with stereoscopic coverage of the Masters. Cox also carried the event. ESPN 3D launched last June 11 on DirecTV, to accommodate the FIFA World Cup soccer events. Verizon launched regular 3D service on FiOS last November with on-demand movie titles delivered by Avail-TVN.

Including the FiOS footprint, ESPN 3D is now available to more than 63 million homes. The network says it’s “on track to feature nearly 100 events in its first year.”

The Masters begins Wednesday, April 6 at 3 p.m. Eastern with the Par 3 contest and wraps Saturday, April 16 with the final round. The NBA playoff coverage starts with Game 1 of the final round on Saturday, April 23, and concludes with the Conference Finals Wednesday, May 25.

See the original post here: http://tvtechnology.com/article/115854

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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