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The First Full-Color Display with Quantum Dots

Researchers at Samsung Electronics have made the first full-color display that uses quantum dots. Quantum-dot displays promise to be brighter, cheaper, and more energy-efficient than those found in today’s cell phones and MP3 players.

Samsung’s four-inch diagonal display is controlled using an active matrix, which means each of its color quantum-dot pixels is turned on and off with a thin-film transistor. The researchers have made the prototype on glass as well as on flexible plastic, as reported in Nature Photonics this week. “We have converted a scientific challenge into a real technological achievement,” says Jong Min Kim, a fellow at the Samsung Advanced Institute of Technology.

Quantum dots are semiconductor nanocrystals that glow when exposed to current or light. They emit different colors depending on their size and the material they’re made from. Their bright, pure colors and low power consumption make them very appealing for displays. Most computer monitors and TVs use power-hungry liquid-crystal displays (LCDs). Organic light-emitting diode (OLED) displays are more brilliant and energy-efficient, but are confined to small gadgets because they are too expensive for TV screens, and their organic materials have limited lifetimes.

Quantum-dot displays would consume less than a fifth of the power of LCDs, says Samsung researcher Tae-Ho Kim. They promise to be brighter and longer-lasting than OLEDs. What’s more, they could be manufactured for less than half of what it costs to make LCD or OLED screens.

This potential has caught the attention of big display manufacturers other than Samsung. LG Display is partnering with MIT spinoff QD Vision to develop quantum-dot displays.

To make their prototype, the Samsung researchers start by coating a solution of quantum dots on a silicon plate and evaporating the solvent. Then they gently press a rubber stamp with a ridged surface into the quantum-dot layer, peel it off, and then press it on the desired glass or plastic substrate. This transfers stripes of quantum dots onto the substrate.

In a color display, each pixel contains red, green, and blue subpixels. These colors are combined in varying intensities to produce millions of colors. By using their stamping technique over and over, the researchers can create a repeated pattern of red, green, and blue stripes.

They transfer the stripes directly onto an array of thin-film transistors. The transistors are made of amorphous hafnium-indium-zinc oxide, which provide higher, more stable current than conventional amorphous-silicon transistors. The resulting display has subpixels that are about 50 micrometers wide and 100 micrometers long, small enough for use in cell-phone screens.

“This is a powerful demonstration,” says Seth Coe-Sullivan, cofounder and chief technology officer of QD Vision. “The individual technology elements aren’t necessarily new. Samsung definitely did a lot of good engineering to put all the pieces together in an impressive way.”

He cautions, though, that there are many more research and engineering issues to be solved, and that quantum-dot displays are still at least three years away from commercialization. The best quantum-dot devices are still not as power-efficient as OLEDs. They also need to last longer—right now, they start losing their brightness after about 10,000 hours. Finally, researchers will have to develop ways to manufacture them at low cost and large scale.

See the original post here: http://www.technologyreview.com/computing/32407/?p1=MstRcnt&a=f

Stereobank: 3D stock footage

Stereobank, a French-Belgian company, is a new stock footage marketplace where 3D-TV producers, advertisers or device manufacturers can find stereoscopic video clips for their 3D-film projects. Stereobank gathered worldwide filmmakers to produce high quality 3D content ready to be broadcasted on television or played on glasses-free 3D devices. Any clip from the collections lifestyle, sport, nature, business, macro and time-lapse 3D content ready to be broadcasted on television or played on glasses-free 3D devices. Any clip from the collections lifestyle, sport, nature, business, macro and time-lapse 3D start at $250.

The team will be at NAB 2011, next April in Las Vegas, in the Content Central.

See this original post here: http://stereoscopynews.com/hotnews/3d-movies/3d-shorts/1283-stereobank.html

From the StereoBank website:

StereoBank is a stereoscopic 3D stockfootage marketplace

StereoBank is the fastest growing stereoscopic 3D stock footage website. Lifestyle, sport, business, cityscapes and time-lapse 3D clips are being shot worldwide and are available here: http://www.stereobank.com/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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