News Stories

World's first 3D opera realised with IOSONO

[Pro Sound News Europe]

After mixing the world’s first 3D audio movie Immortals, IOSONO has been chosen for another world-premiere:Neither, the first 3D opera. Written by Morton Feldman and Samuel Beckett, Neither is staged by Berlin-based artist group phase7 and is not a typical opera.
The original orchestra is replaced by a digitally programmed virtual orchestra, allowing elaborate worlds of 3D sound floating through the audience. The only person on stage is Norwegian soprano Eir Inderhaug, who sings live in the centre of the audience.
Christian Steinhäuser, musical director of the project, adds: “For me as a musician, IOSONO opened up completely new ways of interpreting the music. It was much more than a mixing tool, but an inspiring instrument to turn opera into a new experience.”
The premiere of Neither will take place at the European Center of the Arts HELLERAU in Dresden on 2 March 2012.

See the full story here: http://www.prosoundnewseurope.com/main-content/full/world-s-first-3d-opera-realised-with-iosono;jsessionid=56644B74F5F88AF417F9DFBB2C90AD07

'3D Sex & Zen' Sequel Will Be In 4D, Having Vibrating Theater Seats

[The Hollywood Reporter]

How do you take 3D big screen sex to the next level? By making it 4D, of course.

Stephen Shiu, the producer behind the steamy 2011 blockbuster3D Sex and Zentold the Daily Chilli newspaper that he intends on using a vibrating seat technology in Hong Kong theaters for the film’s sequel, 4D Sex and Zen: Slayer of a Thousand from the Mysterious East. The first film beat out The Hangover, Part IIwhen it came out in June with an opening day take of HK$2.79 million ($360,000), taking the island’s box office record from Avatar. …

See the full story here: http://www.hollywoodreporter.com/news/3d-sex-zen-sequel-4D-vibrating-seats-296448

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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