News Stories

'Top Gun' Coming to Theaters in 3D

[Hollywood Reporter]

The 2D to 3D conversion is being accomplished at Legend3D, whose CEORob Hummel introduced the clip as well as its unique business model during an IBC panel.

“We think there is great potential for catalog titles in 3D, but studios have had trouble justifying the expense,” Hummel said, explaining that Legend 3D is funding and doing the conversion for Paramount.

Read the full article here: http://www.hollywoodreporter.com/news/top-gun-coming-theaters-3d-234032

IBC Report: 2D-3D Stereo Conversion Growing in Leaps and Bounds

 

[Below the Line News]

… As a result, we’re seeing a rise in stereo conversion. Converting standard 2D images into stereo 3D has come a long way since 2010’s Clash of the Titans, with the final installment of the Harry Potter saga providing a great example of tasteful and effective stereoscopy.

Stereo conversion involves a lot of manual rotoscoping to pull the foreground images off of the background and then a lot of complex tracking to artificially create the second eye, or camera. I saw demos of stereo conversion capabilities in Nuke and Flare – the younger brother of Autodesk’s powerful Flame compositing and finishing system. Both of these technologies provide impressive toolsets for taking apart images and re-assembling them as stereo 3D sequences.

Perhaps the most powerful tool for the grunt work of stereo conversion is Imagineer‘s Mocha Pro, a dedicated tracking tool which greatly reduces the amount of manual keyframing which might otherwise be required. It does this with a sophisticated planar tracking capability – tracking surface rather than just points – which allows the application to handle blurred edges, changing light conditions and even obstructions. With Mocha Pro ($1,495 as a standalone application), users can do “clean plating” to assemble background plates, including infilling, so that compositors can then focus (more bad puns) on the shaping and positing foreground elements.  …

Imagineer tells me that they have been selling well lately to facilities such as Digital DomainPixel MagicICO VFX and Legend3D. …

Read the full story here: http://www.btlnews.com/crafts/post-production/ibc-report-2d-3d-stereo-conversion-growing-in-leaps-and-bounds/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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