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Strategy Analytics: Two-Thirds of 3DTV Owners Watch 3D Shows at Least Once Per Week

[BusinessWire press release]

Watching television shows in 3D has become a regular activity for the majority of 3DTV owners, according to the latest research from the Strategy Analytics Connected Home Devices service. According to the report, “3DTVs: Buying Intentions and Early Adopter Feedback,” two-thirds of 3DTV owners across the US and Europe are watching at least one show in 3D on a weekly basis. Forty-one percent of 3DTV owners claim to be watching shows in 3D at least once a day or several times a day.

“3DTV is confounding the skeptics and gaining traction with early adopters,” says David Mercer, Principal Analyst and the report author. “A significant minority of 3DTV owners now watch some TV in 3D on a daily basis, and this should be seen as an encouraging sign for content producers and the television industry in general.”

The survey also found that 3DTV owners typically own two pairs of 3D glasses, although a small minority (13%) claims not to own any 3D glasses. The research provides some evidence that the cost of buying additional pairs of glasses is seen as a barrier to 3D viewing: 53% of 3DTV viewers agree that they would buy more 3D glasses for family and friends if prices were lower.

“The glasses issue is very real,” says Jia Wu, Senior Analyst. “Naturally enough people would rather not have to wear them, but a majority of 3DTV viewers are prepared to put up with the inconvenience when the experience and entertainment value justify it.”

Editor’s note: Strategy Analytics conducted an online survey, the 2011 ConsumerMetrix Survey fielded in July 2011. The sample consisted of n=2000 individuals in the US and n=2801 in Europe (France, Germany, Italy, UK) ages 15-74 years. The sample of 3DTV owners was n=238.

Read the original post here: http://www.businesswire.com/news/home/20110809006419/en/Strategy-Analytics-Two-Thirds-3DTV-Owners-Watch-3D

Emerging markets powering ahead in TV sales

[excerpt]

North America, Western Europe and Japan, which until recently collectively accounted for over half of the global market for new TV sales, will see that statistic diminish to less than 40% by 2015.

By contrast, Asia Pacific, Latin America, Eastern Europe and Africa and the Middle East will all increase their respective shares in new TV set shipments during the same period.

The findings were revealed by the latest update to the Television Shipment Database and Forecast produced by IMS Research. The report, which covers 70 countries, breaks down data by several TV types including LED-LCDs, 3D TVs and connected TVs.   …

The analyst pointed out that this contrasts sharply with the existing situation in developed economies, labelling them as saturated markets. “Most of these countries have completed their digital transitions, and consumers have already replaced their CRTs and purchased HDTVs. New features such as 3D and connectivity will drive sales, but they won’t motivate consumers to replace a flat panel TV purchased three years ago,” said Thayer.  …

…  Connected TVs and 3D TVs will start gaining traction in general, with TV manufacturers increasingly including these features as standard in most new models. Specifically, the report forecasts that by 2015 approximately 50% of the TVs shipped worldwide will have 3D capabilities, while over 60% will be able to connect to the Internet.

See the original story here; http://www.rapidtvnews.com/index.php/2011080914215/emerging-markets-powering-ahead-in-tv-sales.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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