News Stories

IRIDAS on-set 3D preview tools updated

[By StereoscopyNews.com]

At last week’s DIMENSION3 expo, IRIDAS demonstrated FrameCycler DDS 2011, a powerful new playback, conform and review system that significantly extends existing stereoscopic capabilities. FrameCycler DDS 2011 adds parallax adjustments, mirroring and many automatic and manual setup options, as well as extensive Python scripting options to simplify integration with production pipeline management systems.

IRIDAS DualStream technology offers a comprehensive toolset for stereoscopic movie review, color grading, finishing and final presentation. IRIDAS stereo products are widely used in the industry and have contributed to the success of many 3D projects, among them U2 3D, Journey to the Center of the Earth and many independent stereo productions, such as Dark Country and My Bloody Valentine. DualStream is described in details at www.iridas.com.

See the original post here: http://stereoscopynews.com/hotnews/hotnews-1/hotnews-2/1603-iridas-on-set-3d-preview-tools-updated.html

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[From http://www.iridas.com/stereo/]

Stereoscopy

 

IRIDAS DualStream technology offers a comprehensive toolset for stereoscopic movie review, color grading, finishing and final presentation. IRIDAS stereo products are widely used in the industry and have contributed to the success of many 3D projects, among them U2 3D, Journey to the Center of the Earth and many independent stereo productions, such as Dark Country and My Bloody Valentine.

DualStream is built into the three IRIDAS product lines, FrameCyclerSpeedGrade and MetaRender. The level of functionality reaches from simple review in FrameCycler PRO to full correction and finishing capabilities in SpeedGrade DI.

Through RealTime RAW, unprocessed raw files from all available digital cinema cameras can be played and corrected in real time, without time consuming transcoding. This includes files coming from the ARRI D21, Phantom HD/4K, RED One, Silicon Imaging SI-2K, WEISSCAM as well as CinemaDNG files.

IRIDAS has been constantly developing DualStream since 2003. As a result, stereoscopy was not added as an afterthought, but is an integral part of the the system architecture. For example, SpeedGrade and FrameCycler feature real stereoscopic timelines, which don’t require you to copy presets around or manually keep track of your footage.

IRIDAS Dual Stream Products

A general overview of alI IRIDAS products and pricing information is available here.

FrameCycler PRO Desktop image review for artists Supports all desktop stereo display devices. Correction for mirror rigs and temporal offsets.
FrameCycler DDS Screening room review and conform. Supports all stereo display devices, including dual SDI projection. Automatic stereo EDL conform.
FrameCycler DI Dailies color correction Simple primary stereoscopic color correction.
SpeedGrade XR RAW-based color grading and finishing Full color correction and film finishing functionality. Correction of vertical offset and rotational errors. Keyframable parallax adjustments. Sophisticated image analysis. Supports RAW file formats.
SpeedGrade DI Full color grading and finishing. Includes support for all file types commonly used in the industry, including DPX, TIFF, OpenEXR and Cineon.
MetaRender Automated transcoding and rendering. Render left/right eye independently or combine into a processed stereo file. Can be use stand-alone for automation or as a render farm node for SpeedGrade.

History and Outlook

IRIDAS started the development of DualStream, a comprehensive stereoscopic toolset, in 2002. It was first used in a FrameCycler VenueSystem project, Starlight Express on Tour.

DualStream quickly became a success, early customers such as Jim Henson’s Creature Shop, Inition and Threshold Digital Research Labs, used DualStream in FrameCycler to visualize stereoscopic postproduction projects and present the results to the public. In addition, researchers and professionals around the world used DualStream-enabled FrameCycler systems to visualize scientific data.

Since 2003, all FrameCycler and SpeedGrade products were sold in special stereoscopic versions.

With stereo becoming mainstream, IRIDAS decided to make stereo a standard feature in 2007. All current FrameCycler and SpeedGrade products can work with stereoscopic images. Through IRIDAS RealTime RAW technology, work on stereo movies shot with digital cinema RAW cameras can start directly, without transcoding.

The DualStream toolset grew considerably over the last years. DualStream features support for all widely-used stereo display technologies. The 2009 versions of the SpeedGrade and FrameCycler products feature a comprehensive stereo finishing toolset, providing stereo conform, analysis tools for misalignment, functions to change offset, rotation and parallax as well as mirroring and temporal offset adjustment. Color grades are applied to both eyes by default unless the colorist wants to specifically adjust the color of one eye only.

The 2010 release of SpeedGrade is a milestone in the evolution of IRIDAS’ stereo tools. A new user interface for working in stereo and numerous automatic and manual correction functions make working in stereo an intuitive experience with fast turnaround times. SpeedGrade 2010 is currently undergoing beta testing.

PictorVision Eclispe + Cameron-Pace Camera = Steady Horizon

[By StereoscopyNews.com]

Pictorvision with Cameron-Pace Group offers the first aerial Fusion 3D system with fully adjustable interocular and convergence . The Eclipse support dual  ARRI Alexa and RED Epic cameras.

The Pictorvision Eclipse is the most advanced gyro stabilized aerial camera platform available today. The system’s open architecture design and superior engineering allows it to fly with a wide range of film and digital cinema cameras, as well as the new CAMERON – PACE Group FUSION Aerial 3D System. It’s the Eclipse’s ability to handle large payloads while maintaining an absolutely level horizon and perfect stabilization that makes it perfect to shoot 3D footage for the big screen.

The Pictorvision Eclipse/Cameron – PACE Group package will be on display at Cine Gear Expo in booth #91.

See the original post here: http://stereoscopynews.com/hotnews/hotnews-1/hotnews-2/1602-pictorvision-eclispe-cameron-pace-camera-steady-horizon.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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