News Stories

White Paper on Augmented Reality Technology Research and AR Mobile App for Historical Photos by Azavea and Philadelphia Department of Records

[by PR Web]

The Philadelphia Department of Records (DOR) and Azavea announced the publication of a free white paper that summarizes their research on the use of mobile augmented reality techniques for enhancing digital access to historical and cultural resources. This paper accompanies the release of a prototype augmented reality application for PhillyHistory.org (www.phillyhistory.org), the online database of historic photograph and map collections from the City Archives, the Water Department, the Office of the City Representative, the Free Library, and the Library Company of Philadelphia, originally built by Azavea. The app is available at no cost for both iPhone and Android smart phones.

In spring 2010, the Philadelphia Department of Records was awarded an NEH Digital Humanities Start-Up Grant to develop innovative techniques for leveraging the sensors in contemporary smart phones to expand public access to historical data in novel ways. “Augmented reality” refers to a new type of software that can augment people’s experience of the physical world by overlaying additional digital information. The new Augmented Reality by PhillyHistory.org application provides point-and-view access to 500 historic photographs of selected sites around Philadelphia. Users are able to automatically access and view the historic photographs by simply pointing the camera of a smart phone at the contemporary site and selecting an available image. The historic photos then appear as an overlay on the current urban landscape, enabling viewers to compare the past to the present. This prototype application focuses on 3D display of images from several neighborhoods across the city while also providing simplified access to nearly 90,000 images from the PhillyHistory database. In addition to photos in the Center City area, images from other neighborhoods have also been incorporated in order to evaluate issues such as tree cover, building height, and other sources for location error that may affect the accuracy of the augmented reality display. To assist with evaluation of the software and provide more in-depth text for select photos, the project team worked with an advisory committee that included the co-editors of The Encyclopedia of Greater Philadelphia and Dr. Amy Hillier, professor at the University of Pennsylvania.

While augmented reality applications are growing in number and popularity around the world, very little has been written about the technical feasibility of different approaches. How can mobile augmented reality technology be used to enhance asset collections? Is the technology sufficiently advanced to make this type of application possible? Can historic images really be represented as overlays (i.e. 3-D objects pinned in space)? Is the screen size of a mobile device too small to properly display an image and text? Are smart phone networks fast enough to load all this information? With support from the NEH Digital Humanities Start-Up Grant, the DOR and Azavea’s software engineering team were tasked with exploring these questions and publishing a white paper to present the findings of this research. The white paper is free to download at www.azavea.com/augmented-reality

“When we started PhillyHistory.org 5 years ago, we only had 90 photos. We could hardly imagine that today we would have almost 100,000 historic photos and maps available to the public. Now with the augmented reality capabilities added to the system, PhillyHistory.org makes creative use of the latest technology to bridge the past and the present, as well as give residents and visitors a new means of learning about Philadelphia.” – Joan Decker, Commissioner, Philadelphia Department of Records

While the $50,000 research grant has yielded a more complete application than originally anticipated, the project team encountered a number of limitations with the current state of the technology. The Department of Records and Azavea expect to seek additional funding in order to develop solutions for these limitations as well as bring the technology to a broader array of devices including tablets.

About Azavea 
Azavea is an award-winning geospatial analysis (GIS) software development firm specializing in the creation of location-based web and mobile software as well as geospatial analysis services. Azavea is a certified B Corporation that applies geographic data and technology to promote the emergence of more dynamic, vibrant, and sustainable communities. Each of Azavea’s projects, products and pro bono engagements showcases this commitment. For more information, visit www.azavea.com.

If you would like more information about Azavea or to schedule an interview with Robert Cheetham, Azavea’s CEO and President, or Joan Decker, Department of Records’ Commissioner please contact Abby Fretz at (215) 701-7503 or e-mail afretz(at)azavea(dot)com

About the Philadelphia Department of Records 
The Home Rule Charter of 1952 established the Department of Records to ensure that Philadelphia’s municipal records are appropriately controlled and managed. The Department sets records management standards and procedures for all departments, boards, commissions and agencies, and it manages key central recordkeeping operations and services such as the City Archives, the Records Storage Center, the Recorder of Deeds and the Central Reprographics Services. www.phila.gov/Records/

See the original story here: http://www.sfgate.com/cgi-bin/article.cgi?f=/g/a/2011/05/17/prweb8416629.DTL

AV Concepts Breaks Industry Record for 3D Holographic Projection

[Philip Lelyveld comment: See explanatory video at bottom]

[Press Release]

AV Concepts ( www.avconcepts.com ) is helping high profile Corporate VIP’s get an eyeful by installing the largest 3D holographic projection in history. On a surface spanning nearly 2,000 square feet, guests were taken into the 3D holographic experience, while VIP’s interacted with 3D holographic presentations in a live event. No 3D glasses were necessary.

In preparation for this record breaking installation, AV Concepts constructed a test rig inside the San Diego Convention Center. Joe Russo, Director of Technology, explained, “The unique nature of this particular rig structure required several engineering revisions to support the incredible 100 foot wide stage. Working with truss and rigging design engineers, the proper system was developed to accommodate the massive frame needed to support the holographic screen.” ( http://www.avconcepts.com/about/press/breaks-holographic-record )

AV Conceptswas selected byone of the world’s largest and most prestigious production companies as both a technical and creative partner for this highly complex event.To create oneof the most exciting pre-scriptedmoments, AV Concepts produced anon-site high-definitionvideoshootwith VIPexecutiveswhowerefilmed and converted into hologramsforalive,on-stage interaction with the CEO during his presentation.

President of AV Concepts, Nick Smith stated, “This record breaking installation, speaks volumes to what AV Concepts delivers every day, and that’s to be the leader in implementing the most innovative technology, while also providing our clients with the best quality of service. Our ability to provide cutting edge technology and solutions help our clients better connect with their respective audience, creating memorable experiences.”

For a flawless visual presentation, AV Concepts used 14 Christie HD18 projectors, controlled by 4 Christie Vista Spyder systems. Additionally, AV Concepts’ new 4-camera high definition camera package was used with two additional robotic cameras for specialty pick up shots.

One of the world’s most advanced technology demonstration theaters is located within AV Concepts’ San Diego Office to support Musion 3D holographic consultation, development, and live demonstrations, in addition to virtual 3D Scenery and projection mapping applications.

About AV Concepts

AV Concepts is a national, full-service supplier of audio-visual, staging and technical support for meetings, conventions and trade shows. The company provides the latest in video, audio, and lighting for corporate, convention, staging, and 3D holographic events. AV Concepts is known in the industry for its exceptional level of innovation, customer satisfaction and confidence. AV Concepts was honored as one of Inc. 500’s “Top Privately Owned Companies”. Founded in 1987, with 23 years of industry success, AV Concepts employs over 100 employees producing over 500 events annually throughout North America and abroad.

See the original post here;  http://www.vision-systems.com/news/2011/05/1418291275/av-concepts-breaks-industry-record-for-3d-holographic-projection.html

 

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3D Holographic Projection by AV Concepts

(http://www.avconcepts.com/ )

 

Musion Eyeliner is a unique high-definition video holographic projection system allowing spectacular freeform 3D hologram effects to be projected within a live stage setting using Peppers Ghost illusion. Eyeliner produces high resolution images that make them unmistakably real, which is what happened when Gorillaz & Madonna performed the opening number at the European MTV Awards. Musion Eyeliner is a specially developed foil that reflects images from a high-definition video projector, making it possible to show virtual images of variable sizes and distinct clarity.

See this original webpage here: http://www.avconcepts.com/interactive-technology/3d-holographic-projection

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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