News Stories

How to do 3D sky shots in the UK

[company website]

British Technical Films engineered what is believed to be the first radio controlled helicopter filming platform over 20 years ago in response to the dangers and expense of full sized conventional helicopters at low altitudes.  British Technical Films has recently developed a new specially designed gyro stabilised aerial filming platform for SD, HD, 3D and stills.  This aerial platform (SKYBOT) has been designed and built with stability, stealth and smooth flight in mind.  The CNC machined airframe in aluminium combined with gyro stabilisation and camera roll and tilt compensation provides the perfect aerial tool.

SKYBOT is an affordable alternative to Steadycam, jibs and conventional helicopters.  It creates exciting and unexpected transitional shots which can begin looking as being filmed from a Steadycam, the middle as if a crane or jib is involved then climb to reveal the equivalent of helicopter aerials.

See the FULL STORY with more pictures here: http://www.britishtechnicalfilms.com/Services/Aerial-HD-3D-and-stills

 

3D lens adapter for ENG

[by TVB Europe]
A prototype lens adapter made by South Korean developer Wasol in co-operation with Ikegami and marketed by Korea’s K2E can turn any standard 2D professional camera into one capable of capturing 3D.
The 3D Lensys adapter can be fitted to a conventional lens in about 15 minutes and works by means of a field sequencing device rotating in front of two small lenses. It weighs 21kg.
The field sequencer rotates 60 times a second to deliver 30fps of light into each of the lenses in the adapter. The combined 3D signal is output as HD SDI or component.
“3D Lensys allows you to use only one camera and to shoot in the same way as you would with existing cameras,” said Jin Kin, overseas sales and marketing for K2E. “You save time and money by using your existing equipment throughout the production process.”
K2E said the Lensys can be built to order. It was shown at NAB working on an Ikegami shoulder mount body.

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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