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ETC’s Phil Lelyveld Spoke at the European Union’s “Preserving Democracy in the Digital Age”

 

The ETC’s Philip Lelyveld was one of five subject matter experts invited to speak before the EU’s “Preserving Democracy in the Digital Age” hearing at the European Political Strategy Centre in Brussels on February 22, 2018. The EU is working to understand and deal with the problem of ‘fake news’ and Russian interference in democratic processes in Europe. This one-day event is part of an ongoing multi-organization effort within the EU.

The invited speakers were:

• Anne Applebaum, Pulitzer-Prize Winning Author; Columnist, Washington Post and Professor of Practice, London School of Economics

• Keir Giles, Senior Consulting Fellow on Russia and Eurasia, Chatham House and Director, Conflict Studies Research Centre

• Philip Howard, Professor of Internet Studies and Director of Research, Oxford Internet Institute, University of Oxford

• Rasmus Kleis Nielsen, Professor of Political Communication and Research Director, Reuters Institute for the Study of Journalism, University of Oxford

• Philip Lelyveld, Director of Immersive Media Experiences, Entertainment Technology Center, University of Southern California

Philip was invited to present an outsider ‘Hollywood’ perspective. He defined ‘fake news’ as data or information that is 1) verifiably false and/or 2) partially reported and taken out of its original context in a way that distorts its original meaning. The tools to create fake news, including faking a person’s audio-visual record and adding or deleting elements within a live video feed, are advancing to the point where even experts will soon have trouble identifying what is fake versus what is real. We are moving into a ‘post-evidence’ world.

A good story captures and holds your attention and creates ‘sticky’ memories by engaging your emotions.  He said that we are well on our way to developing and deploying the tools that will allow anyone to create and distribute personalised ‘sticky’ memories on a global scale.  The tools don’t care whether the story is fact or fiction, true or false. 

In his testimony, Philip highlighted the point that innovation is never stifled. It is only redirected by regulation, the bottom-line imperatives of business, and societal forces.  The purveyors of fake news are innovators.  The way to counteract their efforts is to out-play them.

It may make more sense to create a system that identifies, elevates, and rewards a bounded set of data, information, and knowledge that we can verify to be true, reliable, and undistorted, than to try to detect and react to an unbounded flow of false, distorted, and fake content, he said. 

Philip suggested one possible strategy for counteracting fake news in a manner that protects democratic processes without diminishing online freedoms:

The storytelling arts and sciences have regularly evolved to keep up with the rising sophistication and expectations of our audiences. Similarly, if you are going to detect and respond to the outsider innovators and storytellers propagating targeted psychological manipulation tools including fake news, then you have to put in place technical and social processes that can also evolve to stay one step ahead of them and that contribute to helping the average citizen make informed decisions based on reliable data. 

The EU will publish a transcript of all of the speakers’ comments and will draft a high-level summary document to move their internal effort forward.  They would like to continue seeking the input of the ETC@USC as their effort progresses.

One immediate result of Philip’s presentation in Brussels was a meeting with Dr. Antti Sillanpaa, the Branch Chief of the NATO Strategic Communications Operation, and his team.  They were in Los Angeles as part of a ‘fake news’/’Russian meddling’ fact-finding tour of the west coast.  Their tour included visits to the Rand Corp, Facebook, Google, Twitter, and other companies.  The team met with Philip at the ETC for an hour on February 26th.  The discussion continued the following night at a dinner at the Finnish Consulate, which the ETC’s Erick Moen also attended. Dr. Antti Sillanpaa and his team were impressed with the unique ‘Hollywood’ perspective that Philip and Erick brought to the discussion and would like to loop back to them as their efforts progress.

Wonder Buffalo White Paper now available here

“Nex-Gen Technology Exploration Short Film with a Focus on VR, HDR, and Cloud-based Workflows,” is the whitepaper for ETC’s most recent film project, Wonder Buffalo.  Abstract:  Wonder Buffalo is a linear short film and room scale virtual reality experience commissioned to test the Cinema Content Creation Cloud (C4) framework, the ACES workflow for end-to-end high dynamic range (HDR), and the VR production workflow in tandem with a linear physical production.

This paper focuses on providing an analysis of Wonder Buffalo regarding best practices and opportunities for standardization regarding the Cloud-based workflow employed for the film’s production.  It will also detail the HDR on-set capture and final deliverables, as well as the process of incorporating a parallel VR pipeline into the linear production workflow.  Download the whitepaper here.

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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