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San Fernando Valley Business Journal covers ETC@USC leadership award to Howard Lukk

Creating a more efficient process with digital files in post-production has earned Howard Lukk accolades from his colleagues in the entertainment industry.

Lukk, the vice president of digital production technology at Walt Disney Studios, received the first Technology Leadership Award from the Entertainment Technology Center @ USC for his work on the Interoperable Master Format project.

The project is easier to describe then the name may imply.

Simply put, Lukk and his team are creating standards for digital files that can be shared between content creators, studios, and post-production facilities to make one master copy of a film or television show rather than separate masters for distribution into theaters, television, downloads, and for mobile devices.

“With demands for faster content in more channels, we are trying to make the process of getting it out quicker,” Lukk said.

The master format project is just one of several the Entertainment Technology Center is working on. Other projects involve 3D in the home, entertainment and social media, and getting content out on multiple devices.

The center wanted to recognize the people working on these projects because while it is the ETC that gets the credit it is the people on the teams that make the results possible, said center CEO and Executive Director David Wertheimer.

“It is the individuals that make the difference,” Wertheimer said.

Lukk’s name was among the first brought up to receive the leadership award because the work on the master format project would create new efficiencies for the entire industry.

Lukk and others have been working on the master format project for about 18 months and look to finish by the spring.

Draft specifications have been given to the member companies of the ETC for their input and feedback and some suggestions will be incorporated into the revised specs, Lukk said.

Those specifications will then be turned over to the Society of Motion Picture and Television Engineers to create a standard for the entire industry.

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Appointment of Bob Lambert as ETC Chairman Emeritus

Los Angeles – The Entertainment Technology Center at University of Southern California (ETC@USC) today announced its appointment of Bob Lambert as ETC Chairman Emeritus and Special Adviser to the Board. The Entertainment Technology Center is a multi-industry consortium pioneering new initiatives in the consumer and professional realms. Engaged and active with ETC’s board for the past decade, among other roles Bob served terms as ETC Board Chairman and as CEO pro tem, while also serving as Senior Vice President, Worldwide Technology Strategy for The Walt Disney Company.

“Bob is a visionary for our industry, and an exceptional supporter and driver of inter-industry projects and of USC’s efforts in entertainment and technology,” cited ETC CEO and Executive Director David Wertheimer. The ETC Board and I are delighted to have his continued involvement and support.”

Bob serves on several for-profit and non-profit boards of directors. In addition to being a veteran of twenty-five years as a senior executive of The Walt Disney Company, he has advised MPAA, MovieLabs, DCI LLC, AFI, and other organizations and technology start-ups. He will continue efforts on new ETC initiatives and sponsorships, working with Wertheimer.

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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