News Stories

Introducing TrueConf 3D Video Conferencing Software — The First Solution for 3D Video Communications in Russia

5.16.2011

[press release]

Russian Video Conferencing developer TrueConf LLC (formerly known as VideoPort) is pleased to announce the launch of their new hardware and software suite, TrueConf 3D – the first 3D video conferencing software solution to be launched in Russia. Making use of specialized cameras, TrueConf 3D allows for live stereo imaging and simultaneous transmission of three-dimensional media across networks, revolutionizing the virtual meeting. TrueConf LLC’s specialist technicians are excited to announce that TrueConf 3D is in its beta-testing phase, and is scheduled to be available to corporate clients and interested parties by the end of 2011.

Moscow, Russia (PRWEB) May 16, 2011

The creation of a 3D video conferencing software system opens up a world of new opportunities for businesses, corporate entities and individuals who require virtual meeting capabilities to communicate across distances. TrueConf 3D is made possible by the integration of stereo imaging and playback into a single management unit. The unique feature of the TrueConf 3D system is the automatic scene recognition technology, which allows for the automatic selection of the shooting method on parallel or convergent axes, and which allows for their combination into a single 3D image.

The TrueConf 3D video complex includes:

A stereo camera with a module for recording images in 3D format 
A client application for transmission of stereo data 
A monitor with a sweep of 120Hz, reproducing the images at doubled frequency 
NVIDIA 3D vision active shutter glasses

Besides this, the client application and the TrueConf 3D hardware also support all existing 3D imaging systems which use glasses.

TrueConf video conferencing software has been in development since 2007. Ivan Meleshko, head of the TrueConf research department, has been leading the investigation of the applicability of this technology. “We are monitoring the 3D equipment market. While creating our own 3D communication solution, we had to study stereoscopic data compression peculiarities and find the correct way to automatically capture 3D content in video conferencing. Our next step in the development of TrueConf will be the creation of auto-stereoscopic systems that do not require glasses.”

Mikhail Gotalsky, TrueConf LLC’s commercial director, has good news about the cost of such systems. “At the moment, it costs about $5000 to equip one workplace with a 3D video communication system. However, the prices for 3D monitors will soon fall, so video conferencing will become more accessible for corporate use… and which provides communication as close as possible to the real one.”

NVIDIA 3D technologies have, in and of themselves, become a fixture of the telecommunications market. Alexey Lagunenko, head of the NVIDIA Sales Department in Eastern Europe, says: “Over the last several years, NVIDIA 3D technologies have become an inseparable part of the entertainment industry. Today they are being actively implemented into the B2B sphere.”

About TrueConf LLC 
TrueConf LLC’s latest video conferencing technologies make it possible to communicate with your colleagues and partners via a virtual meeting, video call, video lecture or virtual conference from almost any part of the world. The use of stereoscopic technologies makes remote communication more immersive and realistic across distances, creating a more lively and engaging session for all users.

To learn more about TrueConf video conferencing software, please visit: http://trueconf.com/videoconferencing-products/

See the original post here:  http://www.sfgate.com/cgi-bin/article.cgi?f=/g/a/2011/05/15/prweb8405764.DTL

Free 3D TV service launched by Samsung

5.16.2011

 

[by By Matt Warman, Consumer Technology Editor, telegraph.co.uk]

Electronics giant Samsung has launched a 3D TV service and is aiming to give owners of its 3D sets access to more footage than is currently available.

Andy Griffiths, the company’s UK Consumer Electronics Vice-President, said that Samsung was “clearly not a broadcaster”, but added that owners of 3D televisions were frustrated that a comparatively limited amount was available, especially if they did not pay TV subscriptions.

Limited numbers of trailers for 3D films will be made available via the web to owners of 2011 and compatible 2010 models from today, as will a small number of “lifestyle documentaries” such as those made by car manufacturers. Mr Griffiths said the initial offering would be expanded over the course of the year.

“The demand for 3D is growing rapidly, but only a handful of channels are providing content. Samsung has led the 3D LED TV market since it launched last year, and the roll-out of our 3D video-on-demand service demonstrates our commitment to accelerating its growth,” said Mr Griffiths.

Samsung has been seeking to push “TV Apps”, including LoveFilm and the BBC iPlayer, and has offered prizes to attract new developers. The introduction of 3D content, however, marks a new bid to persuade TV consumers that 3D and Smart TV technologies offer sufficient incentives to buy a new set, even if they already own a fairly new high-definition model.

See the original post here:  http://www.telegraph.co.uk/technology/samsung/8515522/Free-3D-TV-service-launched-by-Samsung.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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